Changed Textual Signs in Modern Theatricality: Gombrowicz and Handke
The status of the theory of theatricality is equivocal and perhaps incapable of resolution. As a first critical approach, theatricality may be viewed by analogy with literariness [litterarite). Thus, it is almost a tautology, since theatricality is defined by characteristics of theatre as object, as...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
University of Toronto Press
1982
|
| In: |
Modern drama
Year: 1982, Volume: 25, Issue: 1, Pages: 3-16 |
| Further subjects: | B
Girard, René (1923-2015)
|
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
MARC
| LEADER | 00000naa a22000002 4500 | ||
|---|---|---|---|
| 001 | 1895138108 | ||
| 003 | DE-627 | ||
| 005 | 20240711204928.0 | ||
| 007 | cr uuu---uuuuu | ||
| 008 | 240711s1982 xx |||||o 00| ||eng c | ||
| 024 | 7 | |a 10.3138/md.25.1.3 |2 doi | |
| 024 | 7 | |a 10.1353/mdr.1982.0077 |2 doi | |
| 035 | |a (DE-627)1895138108 | ||
| 035 | |a (DE-576)518788946 | ||
| 035 | |a (DE-599)KXP1895138108 | ||
| 040 | |a DE-627 |b ger |c DE-627 |e rda | ||
| 041 | |a eng | ||
| 084 | |a 1 |2 ssgn | ||
| 100 | 1 | |e VerfasserIn |0 (DE-588)120348586 |0 (DE-627)080618766 |0 (DE-576)161847307 |4 aut |a Krysinski, Wladimir |d 1935-2020 | |
| 109 | |a Krysinski, Wladimir 1935-2020 |a Krysiński, Włodzimierz 1935-2020 | ||
| 245 | 1 | 0 | |a Changed Textual Signs in Modern Theatricality: Gombrowicz and Handke |
| 264 | 1 | |c 1982 | |
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a Computermedien |b c |2 rdamedia | ||
| 338 | |a Online-Ressource |b cr |2 rdacarrier | ||
| 520 | |a The status of the theory of theatricality is equivocal and perhaps incapable of resolution. As a first critical approach, theatricality may be viewed by analogy with literariness [litterarite). Thus, it is almost a tautology, since theatricality is defined by characteristics of theatre as object, as literature; is literary when a metalanguage views it as an object. But the theatre-object is much more heterogeneous than literature. From another critical angle, theatricality is a concretization of the theatrical fact - histrionic or ludic, but also physical; it is the performance minus the text. But that too is equivocal. Theatregoers are well aware that all spectacles are not theatrical in the same way, and thus theatricality is doubly - at least doubly - in a situation of dependency. | ||
| 600 | 1 | 7 | |0 (DE-588)118539507 |0 (DE-627)079338933 |0 (DE-576)161119867 |a Girard, René |d 1923-2015 |2 gnd |
| 773 | 0 | 8 | |i Enthalten in |t Modern drama |d Toronto : University of Toronto Press, 1958 |g 25(1982), 1, Seite 3-16 |h Online-Ressource |w (DE-627)341340529 |w (DE-600)2066760-7 |w (DE-576)11857373X |x 1712-5286 |7 nnns |
| 773 | 1 | 8 | |g volume:25 |g year:1982 |g number:1 |g pages:3-16 |
| 856 | 4 | 0 | |u https://doi.org/10.3138/md.25.1.3 |x Resolving-System |z lizenzpflichtig |3 Volltext |
| 856 | 4 | 0 | |u https://doi.org/10.1353/mdr.1982.0077 |x Resolving-System |z lizenzpflichtig |3 Volltext |
| 889 | |w (DE-627)1650061676 | ||
| 935 | |a GIRA | ||
| 951 | |a AR | ||
| ELC | |a 1 | ||
| ITA | |a 1 |t 1 | ||
| LOK | |0 000 xxxxxcx a22 zn 4500 | ||
| LOK | |0 001 3335617789 | ||
| LOK | |0 003 DE-627 | ||
| LOK | |0 004 1895138108 | ||
| LOK | |0 005 20240711204928 | ||
| LOK | |0 008 190311||||||||||||||||ger||||||| | ||
| LOK | |0 035 |a (DE-Tue135-1)42728 | ||
| LOK | |0 040 |a DE-Tue135-1 |c DE-627 |d DE-Tue135-1 | ||
| LOK | |0 852 |a DE-Tue135-1 | ||
| LOK | |0 852 1 |c G1619 |m p |9 00 | ||
| LOK | |0 935 |a iZSA | ||
| LOK | |0 938 |k p | ||
| LOK | |0 938 |l Arts & Humanities |8 0 | ||
| ORI | |a SA-MARC-ixtheoa001.raw | ||
| SYA | 0 | 0 | |a Girard, René Noël Théophile,1923-2015,Žurar, Rene,1923-2015 |