Cultural transfer of music between Byzantium and the West?: the case of the chants of the so-called Missa graeca

"This is the first comprehensive study of Greek language ordinary chants (Gloria/Doxa, Credo/Pisteuo, Sanctus/Hagios and Agnus Dei/Amnos tu theu) in Western manuscripts from the 9th to 14th centuries. These chants - known as "Missa Graeca" - have been the subject of academic research...

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Bibliographic Details
Main Author: Wanek, Nina-Maria 1974- (Author)
Format: Electronic Book
Language:English
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Check availability: HBZ Gateway
WorldCat: WorldCat
Fernleihe:Fernleihe für die Fachinformationsdienste
Published: Leiden Boston Brill [2024]
In:Year: 2024
Series/Journal:Byzantina Australiensia volume 27
Further subjects:B Gregorian chants History and criticism
B Church Music Orthodox Eastern Church 500-1400
B Church Music Catholic Church 500-1400
B Music (Western countries) Byzantine influences
Online Access: Table of Contents
Blurb
Literaturverzeichnis
Volltext (lizenzpflichtig)
Parallel Edition:Electronic

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245 1 0 |a Cultural transfer of music between Byzantium and the West?  |b the case of the chants of the so-called Missa graeca  |c by Nina-Maria Wanek 
264 1 |a Leiden  |a Boston  |b Brill  |c [2024] 
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500 |a Includes bibliographical references and index 
505 8 0 |a The Chants of the Missa graeca -- The Missa graeca in Music-Liturgical Manuscripts -- The Missa graeca in Other Manuscripts -- The Texts of the Missa Graeca Chants -- The Melodies of the Missa Graeca Chants -- Historical Background and Development. 
520 |a "This is the first comprehensive study of Greek language ordinary chants (Gloria/Doxa, Credo/Pisteuo, Sanctus/Hagios and Agnus Dei/Amnos tu theu) in Western manuscripts from the 9th to 14th centuries. These chants - known as "Missa Graeca" - have been the subject of academic research for over a hundred years. So far, however, research has been almost exclusively from a Western point of view, without knowledge of the Byzantine sources. For the first time, this book presents an in-depth analysis of these chants and their historical, linguistic and theological-liturgical environment from a Byzantine perspective. The new approach enables the author to refute numerous (and largely contradictory) theories on the origin and development of the Missa Graeca and provides new answers to old questions"-- 
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