Analysis of being a man in Sacred Defense Cinema: The Case of Hatamikiya’s Bodyguard
The political developments in Iran at the end of the 20th century, particularly the beginning of the Iran-Iraq war immediately after the revolution in Iran, had a deep influence on storytelling in general and movie-making in particular. This gave rise to new social definitions, including a unique fo...
| Authors: | ; |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
[publisher not identified]
2023
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| In: |
Journal for the study of religions and ideologies
Year: 2023, Volume: 22, Issue: 65, Pages: 72-87 |
| Further subjects: | B
Islamic masculinity
B cinema in Iran B masculinity in cinema B Sacred Defense Cinema B Ebrahim Hatamikiya |
| Online Access: |
Volltext (kostenfrei) |
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| 520 | |a The political developments in Iran at the end of the 20th century, particularly the beginning of the Iran-Iraq war immediately after the revolution in Iran, had a deep influence on storytelling in general and movie-making in particular. This gave rise to new social definitions, including a unique form of masculinity. The war, with its masculine atmosphere and Shi'ite-rooted ideology, gave birth to a new definition of masculinity, which can be seen reflected in the Sacred Defense Cinema genre. Sacred Defense Cinema has played a significant role in defining gender with Islamic roots. This paper aims to shed light on Iranian cinema, specifically the Sacred Defense Cinema, through an analysis of Hatamikiya's film "Bodyguard". | ||
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