Representations of the Ottoman Empire in the West: Abdülhamid II’s Portrait in the French Press
This article examines representations of Ottoman Sultan Abdülhamid II in the French press. Analyzing these representations will help one to better understand the Western perceptions of the Ottoman Empire and the Orient. This study is based on the analysis of selected French newspapers such as L’Illu...
| Authors: | ; |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
MDPI
2024
|
| In: |
Religions
Year: 2024, Volume: 15, Issue: 6 |
| Further subjects: | B
Abdülhamid II
B Eastern Question B the West B Orientalism B Ottoman Empire B French press |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
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| 520 | |a This article examines representations of Ottoman Sultan Abdülhamid II in the French press. Analyzing these representations will help one to better understand the Western perceptions of the Ottoman Empire and the Orient. This study is based on the analysis of selected French newspapers such as L’Illustration, Le Journal Illustré, Le Monde Illustré, L’Univers Illustré and Le Petit Journal, as well as other secondary sources (articles and books). Using a critical discourse analysis, this study aims to comprehend how the West, particularly the French press, positioned Abdülhamid II and the Ottoman Empire and how it evolved over time. The analysis of the coverage of Abdülhamid II’s accession to power and, afterwards, his portrait as a Sultan demonstrates not only the struggle of the European powers (especially France and Britain) to gain supremacy over the Ottoman Empire but also the orientalist discourse of the French press with regard to Abdülhamid II. While the coverage of Abdülhamid II’s enthronement ceremony contains both positive and negative representations of the Sultan and the Ottoman Empire, a negative approach was adopted mostly in the coverage of his portrait after his accession to power as Abdülhamid II, as he adopted a policy of balance vis-à-vis the European powers. Overall, the French representations of Abdülhamid II and the Ottoman Empire shed light on the rivalries among the European powers over the Ottoman Empire at the turn of the 19th century. | ||
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