The Comedies of Alessandro Piccolomini: Searching for the Perfect Woman between Loving Initiative and Virtue
In theoretical works such as Orazione, Della institutione, and Raffaella, the Italian writer, scientist, and philogynist Alessandro Piccolomini (1508-78) outlines the characteristics that should make up the perfect woman. In his comedies—Alessandro and L’Amor costante—focusing mainly on the theme of...
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Iter Press
2023
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| In: |
Renaissance and reformation
Year: 2023, Volume: 46, Issue: 3/4, Pages: 397-426 |
| Further subjects: | B
Feminine Perfection
B Alessandro B L’Amor costante B Alessandro Piccolomini |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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| 520 | |a In theoretical works such as Orazione, Della institutione, and Raffaella, the Italian writer, scientist, and philogynist Alessandro Piccolomini (1508-78) outlines the characteristics that should make up the perfect woman. In his comedies—Alessandro and L’Amor costante—focusing mainly on the theme of love, Piccolomini presents some of the same ideas, articulating them through his noble and cultured female characters. This article examines Piccolomini’s dramatic productions in light of his treatises and other writings on women in order to underline his originality in the creation of these female characters. On the one hand, they are models of virtue and decorum; on the other, they demonstrate an unusual degree of initiative in love. They are conscious of their desires, and they defend their right to choose their lovers. In this way, Piccolomini describes new traits of the perfect woman. | ||
| 520 | |a Dans ses oeuvres théoriques et suivant différentes approches - Orazione, Della institutione, et la Raffaella - l’écrivain italien, homme de sciences et philogyne, Alessandro Piccolomini (1508-78) esquisse ce que devraient être les caractéristiques de la femme parfaite. Dans ses comédies - Alessandro et L’Amor costante - l’auteur présente quelques-unes de ces idées touchant principalement au domaine amoureux et incarnées par des figures féminines d’une grande noblesse d’esprit et cultivées. Cet article se propose d’examiner la production dramatique de Piccolomini à la lumière de ses traités et écrits qui s’intéressent aux femmes afin de mettre en évidence l’originalité de l’auteur quant à la création de ses personnages féminins : d’un côté, il s’agit de modèles de vertu et de dignité, de l’autre, ces femmes font preuve d’une grande initiative en amour, elles sont conscientes de leur désir et défendent avec fermeté leur droit à choisir. Ainsi, ce savant de la Renaissance façonne une figure nouvelle de la femme parfaite. | ||
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