Tribal Folklore to Aesthetic and Religious Painting: Transition of Oral Narratives to Visual Art
Gond painting, an integral part of the Gond cultural identity of central India, has emerged as highly appreciated and recognised tribal art form worldwide in the recent times. These traditional paintings are believed to have started with the transformation of Gond oral folklores. The Pradhan Gond, a...
| Outros títulos: | "Tribal Healing, Suicide, Ethical Issues, Cancer and Measuring Religiosity and Spirituality" |
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| Authors: | ; |
| Tipo de documento: | Recurso Electrónico Artigo |
| Idioma: | Inglês |
| Verificar disponibilidade: | HBZ Gateway |
| Journals Online & Print: | Carregar...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publicado em: |
Springer Science + Business Media B. V.
2024
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| Em: |
Journal of religion and health
Ano: 2024, Volume: 63, Número: 2, Páginas: 877-888 |
| Outras palavras-chave: | B
Gond painting
B Folklore B Tribal B Gond |
| Acesso em linha: |
Volltext (lizenzpflichtig) |
| Resumo: | Gond painting, an integral part of the Gond cultural identity of central India, has emerged as highly appreciated and recognised tribal art form worldwide in the recent times. These traditional paintings are believed to have started with the transformation of Gond oral folklores. The Pradhan Gond, a subgroup of the Gonds, who were traditionally assigned to sing songs of the glorification of the gods, goddesses and nature with a Bana, a traditional single-stringed musical instrument, was assumed to initiate the paintings of Gond folktales. They narrated the collective beliefs, values and legends of the Gond tribe on the origin, relationship and divine powers in the form of paintings. The traditions of performing the assigned responsibilities of Pradhan Gond were believed to have lost during the Mughal era and British rule. This research paper focuses on the study of the reflections of three popular Gond folk stories, i.e. Basin Kanya, Mahua tree and Bada Dev, in the contemporary Gond paintings of Madhya Pradesh. The paintings of Jangarh Singh Shyam and Durga Bai have been chosen for the study. |
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| ISSN: | 1573-6571 |
| Obras secundárias: | Enthalten in: Journal of religion and health
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| Persistent identifiers: | DOI: 10.1007/s10943-020-01099-0 |