Between Script and Scripture: Performance Criticism and Mark's Characterization of the Disciples
Utilizing Performance Criticism, this volume explores how the traditional literary configurations of the disciples' characterization in the Gospel of Mark are complicated by considerations of the oral milieu of the first-century.
| Κύριος συγγραφέας: | |
|---|---|
| Τύπος μέσου: | Ηλεκτρονική πηγή Βιβλίο |
| Γλώσσα: | Αγγλικά |
| Υπηρεσία παραγγελιών Subito: | Παραγγείλετε τώρα. |
| Έλεγχος διαθεσιμότητας: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Έκδοση: |
Boston
BRILL
2024
|
| Στο/Στη: | Έτος: 2024 |
| Έκδοση: | 1st ed. |
| Μονογραφική σειρά/Περιοδικό: | Biblical Interpretation Series
v.220 |
| Τυποποιημένες (ακολουθίες) λέξεων-κλειδιών: | B
Bibel. Markusevangelium
/ Προφορική παράδοση
/ Απόστολος <μοτίβο>
|
| Σημειογραφίες IxTheo: | HC Καινή Διαθήκη |
| Άλλες λέξεις-κλειδιά: | B
Bible. Mark
Criticism, interpretation, etc
B Διατριβή B Oral Tradition B Apostles Biblical teaching |
| Διαθέσιμο Online: |
Table of Contents (Aggregator) Volltext (lizenzpflichtig) |
| Παράλληλη έκδοση: | Μη ηλεκτρονικά
|
MARC
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| 245 | 1 | 0 | |a Between Script and Scripture |b Performance Criticism and Mark's Characterization of the Disciples |
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| 520 | |a Utilizing Performance Criticism, this volume explores how the traditional literary configurations of the disciples' characterization in the Gospel of Mark are complicated by considerations of the oral milieu of the first-century. | ||
| 520 | |a "This volume reimagines the first-century reception of the Gospel of Mark within a reconstructed (yet hypothetical) performance event. In particular, it considers the disciples' character and characterization through the lens of performance criticism. Questions concerning the characterization of the disciples have been relatively one-sided in New Testament scholarship, in favor of their negative characterization. This project demonstrates why such assumptions need not be necessary when we (re-)consider the oral/aural milieu in which the Gospel of Mark was first composed and received by its earliest audiences"-- | ||
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