Representations of Christianity in Chinese Independent Cinema: Gan Xiao’er’s Postsocialist Religious Critique
Representations of Christianity in contemporary Chinese cinema are very limited, making the scholarship of this subject underexplored. Filmmaker Gan Xiao’er has made three feature-length independent films focusing on Christianity in China. These films, The Only Sons (2003), Raised from Dust (2007),...
| 主要作者: | |
|---|---|
| 格式: | 电子 文件 |
| 语言: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| 出版: |
2024
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| In: |
Religions
Year: 2024, 卷: 15, 发布: 4 |
| Further subjects: | B
Julia Kristeva
B Christianity in film B Gan Xiao’er B Motherhood B Chinese independent cinema B postsocialist Chinese cinema B Chinese cinema |
| 在线阅读: |
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