Representations of Christianity in Chinese Independent Cinema: Gan Xiao’er’s Postsocialist Religious Critique
Representations of Christianity in contemporary Chinese cinema are very limited, making the scholarship of this subject underexplored. Filmmaker Gan Xiao’er has made three feature-length independent films focusing on Christianity in China. These films, The Only Sons (2003), Raised from Dust (2007),...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
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Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
MDPI
2024
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In: |
Religions
Year: 2024, Volume: 15, Issue: 4 |
Further subjects: | B
Julia Kristeva
B Christianity in film B Gan Xiao’er B Motherhood B Chinese independent cinema B postsocialist Chinese cinema B Chinese cinema |
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