Visual Exegesis of Herodias and Salome from Feminist Rhetorical Criticism: The Construction of a Myth
The biblical account of Salome has been marked throughout history by two main themes: on the one hand, the princess’s dance in front of the main rulers of Galilee, and on the other hand, the request for the head of John the Baptist to King Herod, instigated by his mother Herodias. The reading of thi...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
MDPI
2024
|
| In: |
Religions
Year: 2024, Volume: 15, Issue: 3 |
| Further subjects: | B
Salome
B biblical cultural studies B reception of the Bible B Iconography B feminist rhetorical criticism B Herodias B Femmes fatale |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
MARC
| LEADER | 00000naa a22000002 4500 | ||
|---|---|---|---|
| 001 | 1883037956 | ||
| 003 | DE-627 | ||
| 005 | 20240309055504.0 | ||
| 007 | cr uuu---uuuuu | ||
| 008 | 240309s2024 xx |||||o 00| ||eng c | ||
| 024 | 7 | |a 10.3390/rel15030328 |2 doi | |
| 035 | |a (DE-627)1883037956 | ||
| 035 | |a (DE-599)KXP1883037956 | ||
| 040 | |a DE-627 |b ger |c DE-627 |e rda | ||
| 041 | |a eng | ||
| 084 | |a 0 |2 ssgn | ||
| 100 | 1 | |a Expósito de Vicente, Cristina |e VerfasserIn |4 aut | |
| 245 | 1 | 0 | |a Visual Exegesis of Herodias and Salome from Feminist Rhetorical Criticism: The Construction of a Myth |
| 264 | 1 | |c 2024 | |
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a Computermedien |b c |2 rdamedia | ||
| 338 | |a Online-Ressource |b cr |2 rdacarrier | ||
| 520 | |a The biblical account of Salome has been marked throughout history by two main themes: on the one hand, the princess’s dance in front of the main rulers of Galilee, and on the other hand, the request for the head of John the Baptist to King Herod, instigated by his mother Herodias. The reading of this passage has been strongly marked by the different patriarchal exegetical approaches, which have modulated the reception of both female characters being traceable through the visual and literary arts, to the point of taking on the concept of femme fatale. Really, in both moments Salome is the executor of the actions, not as a result of her capacity for agency, but due to her influenceable character. Through a critical–historical analysis of the biblical passage, Herodias and Salome emerge with characteristics quite different from what 19th-century Art History inherited. The methodology of feminist rhetorical criticism allows for an approach to the visual re-imaginings of this biblical passage that have shaped the iconography of these two figures. The field of visual arts, particularly the production of the late 19th and early 20th centuries, will be the great receptacle for the genesis of the fatality and assimilation of these female biblical figures. | ||
| 601 | |a Herodias | ||
| 601 | |a Feminist | ||
| 650 | 4 | |a biblical cultural studies | |
| 650 | 4 | |a Iconography | |
| 650 | 4 | |a reception of the Bible | |
| 650 | 4 | |a feminist rhetorical criticism | |
| 650 | 4 | |a Femme fatale | |
| 650 | 4 | |a Herodias | |
| 650 | 4 | |a Salome | |
| 773 | 0 | 8 | |i Enthalten in |t Religions |d Basel : MDPI, 2010 |g 15(2024), 3, Artikel-ID 328 |h Online-Ressource |w (DE-627)665435797 |w (DE-600)2620962-7 |w (DE-576)348219067 |x 2077-1444 |7 nnns |
| 773 | 1 | 8 | |g volume:15 |g year:2024 |g number:3 |g elocationid:328 |
| 856 | |u https://www.mdpi.com/2077-1444/15/3/328/pdf?version=1709906872 |x unpaywall |z Vermutlich kostenfreier Zugang |h publisher [oa journal (via doaj)] | ||
| 856 | 4 | 0 | |u https://doi.org/10.3390/rel15030328 |x Resolving-System |z kostenfrei |3 Volltext |
| 856 | 4 | 0 | |u https://www.mdpi.com/2077-1444/15/3/328 |x Verlag |z kostenfrei |3 Volltext |
| 912 | |a NOMM | ||
| 935 | |a mteo | ||
| 951 | |a AR | ||
| ELC | |a 1 | ||
| LOK | |0 000 xxxxxcx a22 zn 4500 | ||
| LOK | |0 001 4498952146 | ||
| LOK | |0 003 DE-627 | ||
| LOK | |0 004 1883037956 | ||
| LOK | |0 005 20240309055504 | ||
| LOK | |0 008 240309||||||||||||||||ger||||||| | ||
| LOK | |0 035 |a (DE-Tue135)IxTheo#2024-03-08#73ACA982ED3F9D8363307F855C7B4BDDE5728CA8 | ||
| LOK | |0 040 |a DE-Tue135 |c DE-627 |d DE-Tue135 | ||
| LOK | |0 092 |o n | ||
| LOK | |0 852 |a DE-Tue135 | ||
| LOK | |0 852 1 |9 00 | ||
| LOK | |0 935 |a ixzs |a zota | ||
| OAS | |a 1 | ||
| ORI | |a SA-MARC-ixtheoa001.raw | ||
| REL | |a 1 | ||
| STA | 0 | 0 | |a Femmes fatale |
| STB | 0 | 0 | |a Femme fatale |
| STC | 0 | 0 | |a Mujer fatal |
| STD | 0 | 0 | |a Femme fatale |
| STE | 0 | 0 | |a 蛇蝎美人,女妖精,妖姬 |
| STF | 0 | 0 | |a 蛇蝎美人,女妖精,妖姬 |
| STG | 0 | 0 | |a Mulher fatal |
| STH | 0 | 0 | |a Роковая женщина |
| STI | 0 | 0 | |a Μοιραία γυναίκα,Femme fatale |
| SUB | |a REL | ||
| SYE | 0 | 0 | |a Femme fatale , Salome,Salome |