Climate Migration in Post-Apocalyptic Narratives on the Mainstream Screen

Through the perspective of ‘catastrophising thought’, this work undertakes a comparative analysis of five post-apocalyptic films dealing with climate migration: Waterworld, Snowpiercer, Interstellar, Mad Max: Fury Road and Mortal Engines in order to identify recurring themes within their dystopian s...

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Bibliographic Details
Authors: Koncz, Linda (Author) ; Boas, Alex Villas (Author)
Format: Electronic Article
Language:English
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Published: MDPI 2024
In: Religions
Year: 2024, Volume: 15, Issue: 2
Further subjects:B Climate
B post-apocalypse
B Narrative
B Film
B Migration
B Catastrophe
B Dystopia
B Future
B Stevens, John C.: Home
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520 |a Through the perspective of ‘catastrophising thought’, this work undertakes a comparative analysis of five post-apocalyptic films dealing with climate migration: Waterworld, Snowpiercer, Interstellar, Mad Max: Fury Road and Mortal Engines in order to identify recurring themes within their dystopian societies. These narratives share an apocalyptic literary approach, intertwining biblical elements to draw a subjectivity that enables us to see the end of our known world order simultaneously as a new beginning. In the plots, technological development is related to the disrespect of ecological harmony and, therefore, extreme climate conditions. The changes in the films’ narratives lead to a new kind of spirituality and a new concept of home. This article concludes by evaluating how these findings relate to the real, contemporary world. 
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