Dionysiac poetics and Euripides' "Bacchae"
In his play Bacchae, Euripides chooses as his central figure the god who crosses the boundaries among god, man, and beast, between reality and imagination, and between art and madness. In so doing, he explores what in tragedy is able to reach beyond the social, ritual, and historical context from wh...
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| 020 | |a 9780691223988 |9 978-0-691-22398-8 | ||
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| 100 | 1 | |8 1\p |e VerfasserIn |0 (DE-588)131072838 |0 (DE-627)540506311 |0 (DE-576)298409631 |4 aut |a Segal, Charles |d 1936-2002 | |
| 109 | |a Segal, Charles 1936-2002 |a Segal, Charles Paul 1936-2002 |a Segal, C. 1936-2002 |a Segal, Charles P. 1936-2002 | ||
| 245 | 1 | 0 | |a Dionysiac poetics and Euripides' "Bacchae" |c Charles Segal |
| 250 | |a Expanded Edition | ||
| 264 | 1 | |a Princeton, NJ |b Princeton University Press |c [2021] | |
| 264 | 4 | |c ©1982 | |
| 300 | |a 1 Online-Ressource (438 p.) | ||
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| 505 | 8 | 0 | |t Frontmatter |
| 505 | 8 | 0 | |t Contents |
| 505 | 8 | 0 | |t Preface to the Expanded Edition |
| 505 | 8 | 0 | |t Preface |
| 505 | 8 | 0 | |t Abbreviations |
| 505 | 8 | 0 | |t Introduction |
| 505 | 8 | 0 | |t 1 The Elusive God |
| 505 | 8 | 0 | |t 2 Forms of Dionysus: Doubling, Hunting, Rituals |
| 505 | 8 | 0 | |t 3 Dionysus and Civilization: Tools, Agriculture, Music |
| 505 | 8 | 0 | |t 4 The Horizontal Axis: House, City, Mountain |
| 505 | 8 | 0 | |t 5 The Vertical Axis: Earth, Air, Water, Fire |
| 505 | 8 | 0 | |t 6 Arms and the Man: Sex Roles and Rites of Passage |
| 505 | 8 | 0 | |t 7 Metatragedy: Art, Illusion, Imitation |
| 505 | 8 | 0 | |t 8 The Crisis of Symbols: Language, Myth, Tragedy |
| 505 | 8 | 0 | |t 9 Dionysiac Poetics and Euripidean Tragedy |
| 505 | 8 | 0 | |t Afterword. Dionysus and the Bacchae in the Light of Recent Scholarship |
| 505 | 8 | 0 | |t Selected Bibliography |
| 505 | 8 | 0 | |t Bibliographical Addenda (1997) |
| 505 | 8 | 0 | |t Index |
| 506 | 1 | |a Restricted Access |e Controlled Vocabulary for Access Rights |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 coarar | |
| 520 | |a In his play Bacchae, Euripides chooses as his central figure the god who crosses the boundaries among god, man, and beast, between reality and imagination, and between art and madness. In so doing, he explores what in tragedy is able to reach beyond the social, ritual, and historical context from which tragedy itself rises. Charles Segal's reading of Euripides' Bacchae builds gradually from concrete details of cult, setting, and imagery to the work's implications for the nature of myth, language, and theater. This volume presents the argument that the Dionysiac poetics of the play characterize a world view and an art form that can admit logical contradictions and hold them in suspension | ||
| 546 | |a In English | ||
| 650 | 0 | |a Dionysos (Divinite grecque) dans la litterature | |
| 650 | 4 | |a LITERARY CRITICISM / Ancient & Classical | |
| 650 | 4 | |a Dionysus | |
| 650 | 4 | |a Pentheus | |
| 650 | 4 | |a The Bacchae | |
| 650 | 4 | |a Maenad | |
| 650 | 4 | |a Euripides | |
| 650 | 4 | |a Tiresias | |
| 650 | 4 | |a Sophocles | |
| 650 | 4 | |a Stasimon | |
| 650 | 4 | |a Tragedy | |
| 650 | 4 | |a Poetry | |
| 650 | 4 | |a Thebes | |
| 650 | 4 | |a Greece | |
| 650 | 4 | |a Aeschylus | |
| 650 | 4 | |a Irony | |
| 650 | 4 | |a Antithesis | |
| 650 | 4 | |a Cithaeron | |
| 650 | 4 | |a Thyrsus | |
| 650 | 4 | |a Cult of Dionysus | |
| 650 | 4 | |a Barbarian | |
| 650 | 4 | |a Dismemberment | |
| 650 | 4 | |a On the Mountain | |
| 650 | 4 | |a Ambiguity | |
| 650 | 4 | |a Hippolytus (play) | |
| 650 | 4 | |a Oedipus the King | |
| 650 | 4 | |a Echion | |
| 650 | 4 | |a Epithet | |
| 650 | 4 | |a Dirce | |
| 650 | 4 | |a Superiority (short story) | |
| 650 | 4 | |a Muse | |
| 650 | 4 | |a Gilbert Murray | |
| 653 | |a Achelous | ||
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| 653 | |a Amphitryon | ||
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| 653 | |a Anthesteria | ||
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| 653 | |a Artemis | ||
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| 653 | |a Cronos | ||
| 653 | |a Demeter | ||
| 653 | |a Democritus | ||
| 653 | |a Dionysiac poetics | ||
| 653 | |a Dithyrambus | ||
| 653 | |a Echidna | ||
| 653 | |a Evil Mother | ||
| 653 | |a Golden Age | ||
| 653 | |a Heracles | ||
| 653 | |a Heraclitus | ||
| 653 | |a Icarius | ||
| 653 | |a Iophon | ||
| 653 | |a Macedon | ||
| 653 | |a Melanthus | ||
| 653 | |a adolescence | ||
| 653 | |a agriculture | ||
| 653 | |a anagnorisis | ||
| 653 | |a boundaries | ||
| 653 | |a brochos | ||
| 653 | |a cannibalism | ||
| 653 | |a carnival | ||
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| 689 | 1 | 0 | |d p |0 (DE-588)118539507 |0 (DE-627)079338933 |0 (DE-576)161119867 |2 gnd |a Girard, René |d 1923-2015 |
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| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |a Segal, Charles, 1936 - 2002 |t Dionysiac poetics and Euripides' "Bacchae" |b Expanded ed. |d Princeton, NJ : Princeton Univ. Press, 1997 |h XVIII, 420 S. |w (DE-627)280102917 |w (DE-576)063848767 |z 069101597X |k Non-Electronic |
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