Three Women from Elam: A Revision of the Haft Tappeh Metal Plaque
The metal plaque of Haft Tappeh was found more than 60 years ago, and except for a few scenes on terracotta plaques and cylinder seals from both Elam and Mesopotamia with similar but not identical settings, it still has no known parallels in metal and remains a unique example of Elamite art. The pre...
| Auteurs: | ; ; |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publié: |
2022
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| Dans: |
Bulletin of ASOR
Année: 2022, Volume: 387, Pages: 171-180 |
| Sujets non-standardisés: | B
Haft Tappeh
B Elamite art and archaeology B metal artifacts B X-ray radiography B XRF B lead isotope |
| Accès en ligne: |
Volltext (lizenzpflichtig) |
| Résumé: | The metal plaque of Haft Tappeh was found more than 60 years ago, and except for a few scenes on terracotta plaques and cylinder seals from both Elam and Mesopotamia with similar but not identical settings, it still has no known parallels in metal and remains a unique example of Elamite art. The present article is a study of this object from the heartland of the Elamite kingdom in the Khuzestan Plain. It revisits the scenic plaque and attempts to correct some of the misunderstandings regarding the identification of its iconography and symbology based on new photos, X-ray images, and lab analysis. The article also tries to place the plaque in its proper spatial and temporal context, using comparative methods and chemical and isotope analysis. |
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| ISSN: | 2769-3589 |
| Contient: | Enthalten in: Bulletin of ASOR
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| Persistent identifiers: | DOI: 10.1086/718800 |
