Ancient Feminine Archetypes in Shi‘i Islam
This paper explores archetypes of femininity associated with Fāṭimah al-Zahrāʾ in Twelver Shi‘i hagiography through consideration of a broad range of archetypes found in the study of narrative and mythology. Many archetypes associated with goddesses of antiquity recur in portrayals of Fāṭimah al-Zah...
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
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| Published: |
MDPI
2024
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| In: |
Religions
Year: 2024, Volume: 15, Issue: 2 |
| Further subjects: | B
Shi‘i mythos
B Shi‘ism B ʿAbbās ibn ʿAlī B Islam B ʿAlī ibn Abī Ṭālib B Fāṭimah al-Zahrāʾ B Karbalā' |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
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| 520 | |a This paper explores archetypes of femininity associated with Fāṭimah al-Zahrāʾ in Twelver Shi‘i hagiography through consideration of a broad range of archetypes found in the study of narrative and mythology. Many archetypes associated with goddesses of antiquity recur in portrayals of Fāṭimah al-Zahrāʾ, suggesting either cultural influence or universal archetypes. For instance, Fāṭimah embodies a youthful, innocent, virginal goddess; Jung’s light and dark mother figure; and the lamenting goddess. Similar archetypes are projected onto other sacred women in Shi‘ism, such as Zaynab bint ʿAlī and Fāṭimah al-Maʿṣūmah. However, other feminine archetypes are absent, some are sublimated onto male figures, and some are banalized through translating the esoteric into the exoteric. This leaves gaps in the narrative models available to faithful women. Furthermore, embodying archetypes like lamenting and suffering may be undesirable. While reformist portrayals of Fāṭimah have attempted to present her as a model for female activism, historical and hagiographical archetypes of Fāṭimah inherently clash and are difficult to disentangle. Nonetheless, considering how hagiography differs from history can help understand how the mythic does not always translate well to the mundane. Lastly, it helps to understand the hidden and unknown Fāṭimah. | ||
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