Valla’s False Modesty: The Annotationes Novi Testamenti Compared with the Biblical Scholarship of Giannozzo Manetti (1396–1459) and Aurelio Lippi Brandolini (1454?–1497)

The Italian humanist Lorenzo Valla (1406–1457) wrote his Annotationes Novi Testamenti in Rome and Naples in the 1440s and 1450s. According to Valla’s own writings, the aim of this work was to cleanse the Latin Bible of textual corruptions and to clarify obscurities and inaccuracies. He questioned th...

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Detalhes bibliográficos
Autor principal: den Haan, Annet (Author)
Tipo de documento: Recurso Electrónico Artigo
Idioma:Inglês
Verificar disponibilidade: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Publicado em: 2023
Em: Reformation & Renaissance review
Ano: 2023, Volume: 25, Número: 2/3, Páginas: 119-135
Outras palavras-chave:B Biblical Scholarship
B Aurelio Lippi Brandolini
B Latin Bible
B Giannozzo Manetti
B Humanism
B Lorenzo Valla
Acesso em linha: Volltext (kostenfrei)
Descrição
Resumo:The Italian humanist Lorenzo Valla (1406–1457) wrote his Annotationes Novi Testamenti in Rome and Naples in the 1440s and 1450s. According to Valla’s own writings, the aim of this work was to cleanse the Latin Bible of textual corruptions and to clarify obscurities and inaccuracies. He questioned the common belief that the Latin Bible was written by Jerome. This article compares Valla’s reflections on his own project with those of two other fifteenth-century humanists who engaged in biblical scholarship: Giannozzo Manetti (1396–1459) and Aurelio Lippi Brandolini (1454?–1497). Compared to them, Valla’s aim was modest: Manetti and Brandolini never questioned Jerome’s authorship, and yet they competed directly with the Church Father by providing an alternative to the Latin Bible. On the other hand, Valla’s aim may be considered more ambitious, because he directly challenged the Latin Bible as the standard translation of his time.
ISSN:1743-1727
Obras secundárias:Enthalten in: Reformation & Renaissance review
Persistent identifiers:DOI: 10.1080/14622459.2023.2286544