The Siren’s Seed

In two liturgical Pentateuchs from Northern Europe from around 1300, images of sirens appear unexpectedly and in ways that vary from common siren iconography. Perhaps these human–animal hybrids, or mixta, in their elusive sexuality and transgressive boundary-crossing articulate Jewish cultural conce...

Полное описание

Сохранить в:  
Библиографические подробности
Главный автор: Frojmovic, Eva (Автор)
Формат: Электронный ресурс Статья
Язык:Английский
Проверить наличие: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Опубликовано: 2023
В: Images
Год: 2023, Том: 16, Выпуск: 1, Страницы: 109-128
Online-ссылка: Volltext (kostenfrei)
Volltext (kostenfrei)
Описание
Итог:In two liturgical Pentateuchs from Northern Europe from around 1300, images of sirens appear unexpectedly and in ways that vary from common siren iconography. Perhaps these human–animal hybrids, or mixta, in their elusive sexuality and transgressive boundary-crossing articulate Jewish cultural concerns with gender politics. Feminist bestiary studies and feminist studies of vocality (the siren’s song) provide new insights into medieval gender politics and its subversions.
ISSN:1871-8000
Второстепенные работы:Enthalten in: Images
Persistent identifiers:DOI: 10.1163/18718000-12340169