"Our very prison this earth is": the world as prison and other images common to More's "Epigrams" and later works
More's Epigrams of 1518, usually associated with More's humanist phase, contain a number of poems designed as meditations on proper attitudes towards the goods of fortune. Special attention is given to how phrasing and argumentation used in the Epigrams reappears within a number of More�...
| Subtitles: | "The Tower Works" |
|---|---|
| Main Author: | |
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Edinburgh University Press
2023
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| In: |
Moreana
Year: 2023, Volume: 60, Issue: 2, Pages: 178-195 |
| Further subjects: | B
Dialogue of Comfort
B Tower Works B Epigrams B terre B rich B Land B Prison B Fame B Œuvres de prison B Epigramme B Traité sur la Passion B Treatise on the Passion B gloire B Dialogue du réconfort B riche |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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| 245 | 1 | 0 | |a "Our very prison this earth is" |b the world as prison and other images common to More's "Epigrams" and later works |
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| 520 | |a More's Epigrams of 1518, usually associated with More's humanist phase, contain a number of poems designed as meditations on proper attitudes towards the goods of fortune. Special attention is given to how phrasing and argumentation used in the Epigrams reappears within a number of More's later works, including Last Things, Treatise on the Passion, and A Dialogue of Comfort against Tribulation. Both briefer and longer examples are discussed, the latter including More's more elaborate description of the world as prison (Epigram 119) and fame as an insubstantial wind (Epigram 132). Numerous parallels between the arguments of these epigrams and his later works, written for "spirituall profytt" (The Correspondence of Sir Thomas More, ed. Elizabeth Frances Rogers [Princeton, NJ: Princeton University Press, 1947], 531), are examined, giving us insights into the writings of the humanist More. As much of his earlier English poetry, some of the More's Latin poems were written with an eye towards "the happy continuannce and graciouse encreace of vertue" (CW 1:51/20-21) | ||
| 520 | |a Les Epigrammes de More de 1518, habituellement associées à sa période humaniste, comportent un nombre de poèmes conçus comme des méditations sur l'attitude idéale à adopter envers les biens reçus par la fortune. Une attention particulière est portée à la formulation et à l'argumentation utilisées dans les Epigrammes, et que l'on retrouve dans un certain nombre d'œuvres ultérieures de More, y compris dans Les Fins dernières, le Traité sur la Passion, et le Dialogue du réconfort. La discussion s'attarde sur des exemples, certains brefs, d'autres longs, notamment parmi ces derniers, sur la description très élaborée que fait More du monde vu comme une prison (Épigramme 119) et de la gloire à considérer comme du vent sans substance (Épigramme 132). De nombreux parallèles sont proposés entre les arguments de ces épigrammes et les œuvres plus tardives, écrits pour "le profit spirituel" (The Correspondence of Sir Thomas More, ed. Elizabeth Frances Rogers [Princeton, NJ: Princeton University Press, 1947], 531), donnant ainsi un aperçu de More, humaniste. Comme nombre de ses poèmes de jeunesse, les poèmes latins de More furent écrits avec l'intention d'aider à "l'heureuse continuité et à l'augmentation gracieuse de la vertu" (CW 1:51/20–21). | ||
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