After Great Pain: The Uses of Religious Folklore in Kenji Mizoguchi's Sansho the Bailiff (JP 1954) and Kaneto Shindo's Oniba (JP 1964)
This article studies the adaptations and applications of religious folklore in two masterworks of Japanese cinema: Kenji Mizoguchi's Sansho Dayu (Sansho the Bailiff, JP 1954) and Kaneto Shindo's Oniba (JP 1964). While academic approaches will often draw a strict line between narrative genr...
Subtitles: | "Here Be Dragons. East Asian Film and Religion" |
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Main Author: | |
Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Institut f. Fundamentaltheologie
2023
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In: |
Journal for religion, film and media
Year: 2023, Volume: 9, Issue: 2, Pages: 15-39 |
Standardized Subjects / Keyword chains: | B
Sanshō Dayū
/ Onibaba
/ Japan
/ Post-war period (motif) (Motif)
/ Saga (motif) (Motif)
/ Buddhism (Motif)
/ Tales
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IxTheo Classification: | BL Buddhism BN Shinto KBM Asia TK Recent history ZG Media studies; Digital media; Communication studies |
Further subjects: | B
Buddhism and Film
B Japanese Cinema B Religious Folklore B Oniba B Kaneto Shindo B Kenji Mizoguchi B Sansho the Bailiff |
Online Access: |
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