Henri Cartier-Bresson e la fenomenologia: per una fotografia come esperienza
The work of the photographer Cartier-Bresson can be defined as the collection of a myriad of characters and themes. Reconstructing the theoretical background of his way of photographing requires a twofold effort: on the one hand, an awareness of the fact that we are dealing with a photographer who i...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | Italian |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
[publisher not identified]
2022
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| In: |
Aisthema
Year: 2022, Volume: 9, Issue: 1, Pages: 67-92 |
| Further subjects: | B
Maurice Merleau- Ponty
B Henri Cartier-Bresson B esperienza B percezione B Fenomenologia B fotografia |
| Online Access: |
Volltext (kostenfrei) |
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| 520 | |a The work of the photographer Cartier-Bresson can be defined as the collection of a myriad of characters and themes. Reconstructing the theoretical background of his way of photographing requires a twofold effort: on the one hand, an awareness of the fact that we are dealing with a photographer who is extremely permeable to the cultural influences of his historical context. Secondly, it is necessary to underline the incredible ability of the photographer to extrapolate the contents, re-elaborating them in a completely personal way, integrating them into his own path as an artist. This reflection is based on numerous testimonies, mainly interviews, in which Cartier-Bresson proposes the idea of the photographic act as an experience, using recurring expressions and terminologies that allow the relationship with the French phenomenological philosophy of the mid-twentieth century. | ||
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