Building an Archival Persona: The Transformation of Sufi Ijāza Culture in Russia, 1880s–1920s
This article analyses the uses of education certificates (ijāzas) as a tool of self-expression by Russia’s Muslims in the late 19th and early 20th centuries. While the transmission of ijāzas as such served as a means of constructing the ideal Muslim personality, manuscript evidence suggests that a s...
Authors: | ; ; |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
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Published: |
Brill
2023
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In: |
Journal of Sufi studies
Year: 2023, Volume: 12, Issue: 2, Pages: 216-252 |
Further subjects: | B
hybrid Sufi affiliations
B manuscript miscellanies B Persona B Self-image B ijāzas B Muslim subjectivity B Sufism in Russia |
Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
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520 | |a This article analyses the uses of education certificates (ijāzas) as a tool of self-expression by Russia’s Muslims in the late 19th and early 20th centuries. While the transmission of ijāzas as such served as a means of constructing the ideal Muslim personality, manuscript evidence suggests that a selective approach to compiling ijāza miscellanies could successfully be employed in building one’s own archival persona – the way how an individual wanted to appear on pages of future biographical books: not only as an important transmitter of prestigious lineages, but chiefly as a unique performer of their selective combinations. The presence of Sufi certificates on multiple lineages within and beyond the borders of the established Sufi ‘orders’ suggests the increasing heterogeneity of Sufi organization and practice that was part of the phenomenon of a broadening cultural repertoire, from which individuals could draw upon for their archival persona. The type of ijāzas that we analyse here, namely the separate documents and miscellanies listing the transmitted practices, were very much the product of their time and their wide circulation in late imperial Russia suggests, as we argue, an unprecedented rise of ijāza culture, imported from the Ottoman realm. | ||
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