Drawn to the word: the Bible and graphic design

"A unique study of lectionaries and graphic design as a site of biblical reception How artists portrayed the Bible in large canvas paintings is frequently the subject of scholarly exploration, yet the presentation of biblical texts in contemporary graphic designs has been largely ignored. In th...

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Detalhes bibliográficos
Autor principal: Dillon, Amanda (Author)
Tipo de documento: Print Livro
Idioma:Inglês
Serviço de pedido Subito: Pedir agora.
Verificar disponibilidade: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Publicado em: [Atlanta, GA] SBL Press 2021
Em: Bible and its reception (Number 4)
Ano: 2021
Análises:[Rezension von: Dillon, Amanda, Drawn to the word : the Bible and graphic design] (2023) (Jonah, Mark)
[Rezension von: Dillon, Amanda, Drawn to the word : the Bible and graphic design] (2023) (Dillon, Amanda)
[Rezension von: Dillon, Amanda, Drawn to the word : the Bible and graphic design] (2024) (Bonfiglio, Ryan P.)
Coletânea / Revista:Bible and its reception Number 4
(Cadeias de) Palavra- chave padrão:B Craighead, Meinrad 1936- / Markell, Nicholas ca. 20./21. Jh. / Arte comercial / Bibel / Ilustração / Arte sacra cristã
Classificações IxTheo:HA Bíblia
Outras palavras-chave:B Christian art and symbolism 20th century
B Graphic arts
B Wood-engraving, American - 20th century
B Bible - Illustrations
B Christian art and symbolism
B Bible
B Bible Illustrations
B Christian art and symbolism - 20th century
B Illustrated works
B 1900-1999
B New Testament - Illustrations
B Bible - In art
B Graphic arts - Themes, motives
B New Testament - Criticism, interpretation, etc
B Arts graphiques
Parallel Edition:Recurso Electrónico
Recurso Electrónico
Descrição
Resumo:"A unique study of lectionaries and graphic design as a site of biblical reception How artists portrayed the Bible in large canvas paintings is frequently the subject of scholarly exploration, yet the presentation of biblical texts in contemporary graphic designs has been largely ignored. In this book Amanda Dillon engages multimodal analysis, a method of semiotic discourse, to explore how visual composition, texture, color, directionality, framing, angle, representations, and interactions produce potential meanings for biblical graphic designs. Dillon focuses on the artworks of two American graphic designers--the woodcuts designed by Meinrad Craighead for the Roman Catholic Sunday Missal and Nicholas Markell's illustrations for the worship books of the Evangelical Lutheran Church in America--to present the merits of multimodal analysis for biblical reception history."--Publisher
Descrição do item:Includes bibliographical references (pages 231-250) and indexes
Descrição Física:xv, 263 Seiten, illustrations (some color), 24 cm
ISBN:978-1-62837-414-8
1-62837-414-4
978-0-88414-543-1
0-88414-543-3