Polish theatre revisited: theatre fans in the nineteenth century
"Polish Theatre Revisited explores nineteenth-century Polish theatre through the lens of theatre audiences. Łuksza places special emphasis on the most engaged spectators, known as "theatremaniacs"-from what they wore, to what they bought, to what they ate. Her source material is elusi...
| Autor principal: | |
|---|---|
| Tipo de documento: | Print Libro |
| Lenguaje: | Inglés |
| Servicio de pedido Subito: | Pedir ahora. |
| Verificar disponibilidad: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publicado: |
Iowa City
University of Iowa Press
[2023]
|
| En: | Año: 2023 |
| Colección / Revista: | Studies in theatre history and culture
|
| (Cadenas de) Palabra clave estándar: | B
Polacos
/ Teatro
/ Público
/ Fan
/ Historia 1800-1900
|
| Otras palabras clave: | B
Fans (Persons) (Poland)
History 19th century
B Theater audiences (Poland) History 19th century |
| Parallel Edition: | Electrónico
|
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| 109 | |a Łuksza, Agata 1983- | ||
| 245 | 1 | 0 | |a Polish theatre revisited |b theatre fans in the nineteenth century |c Agata Łuksza |
| 263 | |a 2401 | ||
| 264 | 1 | |a Iowa City |b University of Iowa Press |c [2023] | |
| 300 | |a 351 Seiten |b Illustrationen | ||
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a ohne Hilfsmittel zu benutzen |b n |2 rdamedia | ||
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| 490 | 0 | |a Studies in theatre history and culture | |
| 500 | |a Includes bibliographical references and index | ||
| 505 | 8 | |a Introduction : what is a Marcello Torte? -- (Not yet) lost motherland : theatre fandom and Polish nationalism -- Fantagonisms : fandom wars and theatre fans failure -- Celebrity body : Sarah Bernhardt and her peripheral fans -- Female fan circles : social freedom and the power of affects -- The Japanese vogue : theatre fans and orientalism -- Epilogue : fan traces. | |
| 520 | |a "Polish Theatre Revisited explores nineteenth-century Polish theatre through the lens of theatre audiences. Łuksza places special emphasis on the most engaged spectators, known as "theatremaniacs"-from what they wore, to what they bought, to what they ate. Her source material is elusive ephemera from fans' lives, such as notes scribbled on a weekly list of shows in the Warsaw theatres, collections of theatre postcards, and recipes for sweets named after famous actors. The fannish behavior of "theatremaniacs" was usually deemed excessive or in poor taste by people in positions of power, as it clashed with the ongoing embourgeoisement of the theatre and the disciplining of audiences. It was increasingly associated with "lowbrow" cultural fields, such as sports. Nevertheless, the theatre was one of the key areas where early fan cultures emerged, and "theatremaniacs" indulged in diverse fan practices in opposition to the forces reforming the theatre and its spectatorship. Polish Theatre Revisited brings back to life the passionate audiences of Polish playhouses in the nineteenth century, and presents a history in which fans come out of the shadows"-- | ||
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| TIM | |a 100018000101_100019001231 |b Geschichte 1800-1900 | ||
