Envisioning Black feminist voodoo aesthetics: African spirituality in American cinema

Introduction: Towards a Black feminist voodoo aesthetic -- Vintage Hollywood voodoo: the Black priestess in 1930s cinema -- Mambos, chickens, and blood: disrupting visual pleasure in Alan Parker's Angel heart -- For us, by us: Black feminist narratives of resistance in the independent films of...

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Библиографические подробности
Главный автор: Martin, Kameelah L. 1978- (Автор)
Формат: Print
Язык:Английский
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Проверить наличие: HBZ Gateway
Fernleihe:Fernleihe für die Fachinformationsdienste
Опубликовано: Lanham Boulder New York London Lexington Books [2016]
В:Год: 2016
Серии журналов/журналы:Black diasporic worlds: origins and evolutions from new world slaving
Нормированные ключевые слова (последовательности):B Angel Heart (Фильм (мотив)) / Dash, Julie 1952- / Softley, Iain 1958- / Фильм (мотив)
B USA / Фильм (мотив) / Вуду (мотив) (Мотив) / История (мотив) 1930-2005
Другие ключевые слова:B Religion in motion pictures
B Feminism and motion pictures
B Motion Pictures Religious aspects
B Feminist Criticism (United States)
B Motion Pictures Social aspects (United States)
B Motion Pictures (United States) History
B African Americans and mass media
B Vodou in motion pictures
Описание
Итог:Introduction: Towards a Black feminist voodoo aesthetic -- Vintage Hollywood voodoo: the Black priestess in 1930s cinema -- Mambos, chickens, and blood: disrupting visual pleasure in Alan Parker's Angel heart -- For us, by us: Black feminist narratives of resistance in the independent films of Julie Dash and Kasi Lemmons -- Subversion and entertainment: elegba, trickery, and Black female absence in the Skeleton key -- Voodoo in Disneyland?: spiritual appropriation by the mouse; or imagineered voodoo aesthetics -- Epilogue: "Good wickedry": Beyoncé and the Black feminist voodoo aesthetics of Lemonade
Примечание:Includes bibliographical references and index
ISBN:1498523307