Violence and the genesis of the anatomical image

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Nothing excited early modern anatomists more than touching a beating heart. In his 1543 treatise, Andreas Vesalius boasts that he was able to feel life itself through the membranes of a heart belonging to a man who had just been executed, a comment that appears near the woodcut of a person being dis...

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Bibliographic Details
Main Author: San Juan, Rose Marie (Author)
Format: Electronic Book
Language:English
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Check availability: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Published: University Park, PA Penn State University Press 2022
In:Year: 2022
Standardized Subjects / Keyword chains:B Anatomy / Drawing / Violence (Motif) / Body (Motif) / Member of the body (Motif)
Further subjects:B cannibalism
B Anna Morandi
B Violence
B print and anatomy
B Artificial Intelligence
B Gaetano Zumbo
B transformation
B Juan de Valverde
B Renaissance / ART / History
B image of violence
B Artificial Life
B Ex Machina
B Vesalius
B wax sculpture
B histories of Eve
Online Access: Cover (Publisher)
Volltext (lizenzpflichtig)
Volltext (lizenzpflichtig)
Volltext (lizenzpflichtig)
Parallel Edition:Non-electronic

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505 8 0 |t Frontmatter 
505 8 0 |t Contents 
505 8 0 |t List of Illustrations 
505 8 0 |t Acknowledgments 
505 8 0 |t Introduction: Violence and the Image in Transition 
505 8 0 |t 1. Bodily Animation: Bones, Skulls, and Skeletons 
505 8 0 |t 2. Bodily Mutation: From Muscles to Flesh and Blood 
505 8 0 |t 3. Bones in Transit, Flesh in Shreds: Anatomy and the New World Cannibal 
505 8 0 |t 4. Between Face and Brain: Recalibrating the Head 
505 8 0 |t 5. The Rib Within: The Wax Model and the Violence of Embodiment 
505 8 0 |t Notes 
505 8 0 |t Bibliography 
505 8 0 |t Index 
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520 |a Nothing excited early modern anatomists more than touching a beating heart. In his 1543 treatise, Andreas Vesalius boasts that he was able to feel life itself through the membranes of a heart belonging to a man who had just been executed, a comment that appears near the woodcut of a person being dissected while still hanging from the gallows. In this highly original book, Rose Marie San Juan confronts the question of violence in the making of the early modern anatomical image.Engaging the ways in which power operated in early modern anatomical images in Europe and, to a lesser extent, its colonies, San Juan examines literal violence upon bodies in a range of civic, religious, pedagogical, and “exploratory” contexts. She then works through the question of how bodies were thought to be constituted—systemic or piecemeal, singular or collective—and how gender determines this question of constitution. In confronting the issue of violence in the making of the anatomical image, San Juan explores not only how violence transformed the body into a powerful and troubling double but also how this kind of body permeated attempts to produce knowledge about the world at large.Provocative and challenging, this book will be of significant interest to scholars across fields in early modern studies, including art history and visual culture, science, and medicine 
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