Escritura e intencionalidad en Maurice Blanchot
This article proposes an approach to the extreme and eccentrically phenomenological conception of intentionality in the work of Maurice Blanchot. In the wake of some studies that have highlighted the relations of the French writer with phenomenology and starting mainly from his critical work, althou...
| Subtitles: | Writing and Intentionality in Maurice Blanchot |
|---|---|
| Main Author: | |
| Format: | Electronic Article |
| Language: | Spanish |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Institution
2022
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| In: |
Cauriensia
Year: 2022, Volume: 17, Pages: 25-44 |
| Further subjects: | B
intencionalidad
B Fenomenología B Emmanuel Levinas B Escritura B Maurice Blanchot |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
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| 520 | |a This article proposes an approach to the extreme and eccentrically phenomenological conception of intentionality in the work of Maurice Blanchot. In the wake of some studies that have highlighted the relations of the French writer with phenomenology and starting mainly from his critical work, although also attending to some of his works of fiction, it is drawn on it an approach to the relationships between writing and intentionality in Blanchot, in three sections: (1) writing as an exit from oneself or ecstatic experience, (2) the limit intentionality of writing and (3) the failure of the intention and the event of the other. Beyond Blanchot's obvious breakup with the Husserlian approach, his reflection on the intentionality of writing finds points of contact with some proposals of contemporary phenomenology and, especially, with the philosophy of Emmanuel Levinas. | ||
| 520 | |a El presente artículo propone un acercamiento a la concepción límite y excéntricamente fenomenológica de la intencionalidad en la obra de Maurice Blanchot. En la estela de algunos estudios que han puesto de relieve las relaciones del escritor francés con la fenomenología y partiendo principalmente de su obra crítica, aunque atendiendo también a algunas de sus obras de ficción, se traza en él un acercamiento a las relaciones entre escritura e intencionalidad en Blanchot, en tres apartados: (1) la escritura como salida de sí o experiencia extática, (2) la intencionalidad límite de la escritura y (3) el fracaso de la intención y el acontecimiento del otro. Más allá de la evidente ruptura de Blanchot con respecto al planteamiento husserliano, su reflexión sobre la intencionalidad propia de la escritura encuentra puntos de contacto con algunas propuestas de la fenomenología contemporánea y, especialmente, con la filosofía de Emmanuel Levinas. | ||
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