Frida Kahlo: espiritualidade, arte e coragem de ser
This article takes as its starting point to necessary to discuss the relationship between theology and art. Art as a symbolic form expresses the artist's deep existential meanings, giving us access to a new dimension of his being: the spiritual. We understand the spiritual dimension as that whi...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | Portuguese |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Instituto de Ciências Humanas, Universidade Federal de Juiz de Fora
2022
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| In: |
Sacrilegens
Year: 2022, Volume: 19, Issue: 1 |
| Further subjects: | B
Spirituality
B Frida Kahlo B courage to be B Species |
| Online Access: |
Presumably Free Access Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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| 520 | |a This article takes as its starting point to necessary to discuss the relationship between theology and art. Art as a symbolic form expresses the artist's deep existential meanings, giving us access to a new dimension of his being: the spiritual. We understand the spiritual dimension as that which gives movement and direction to our achievements in life. It is in this sense that, from the encounter with Frida Kahlo's art, this proposal was born to point out the signs of a transcendent reality in her self-portrait "Colar com Espinhos e Beija-flor", from 1940. Within a phenomenological hermeneutic approach, we chose by the bibliographical research, choosing as a theoretical reference the theology of culture of Paul Tillich. | ||
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