Joycean Novel: A Broad Secularizinsg Project
This paper discusses how the Irish novelist James Joyce used the Novel form as an interface of religion and secularism in fiction. The secularism of his novels is a nuanced, complex project, as he was deeply haunted by the fabric of religious upbringing which he had only partially disowned. Joyce’s...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Dharmaram College
2015
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| In: |
Journal of Dharma
Year: 2015, Volume: 40, Issue: 1, Pages: 49-66 |
| Further subjects: | B
Theology
B Joyce B Secular B Nationalism B Language B Ideology B Race B Religion B Modernism B Post-secular B Irish |
| Online Access: |
Volltext (kostenfrei) |
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| 520 | |a This paper discusses how the Irish novelist James Joyce used the Novel form as an interface of religion and secularism in fiction. The secularism of his novels is a nuanced, complex project, as he was deeply haunted by the fabric of religious upbringing which he had only partially disowned. Joyce’s works as well as life reflect an ambiguous relationship to religious texts, themes, and institutions. A non-teleological concept of modernity is what is present in the works of Joyce especially in his novels, A Portrait of the Artist as a Young Man and Ulysses. Here, the secular and the religious exist in an intimately antinomian, mutually defining opposition in many aspects of cultural life, including literature. | ||
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