The Unreliable Narrator: A Literary Study of Traumatic Experience through Chava Rosenfarb’s Rella Character

"Edgia’s Revenge" is ostensibly the story of a symbiotic relationship between Rella and Edgia, two women who were inmates in Auschwitz during World War II. The narrative is written in retrospective, a kind of suicide note that the protagonist prepares before taking the coloured pills on he...

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Détails bibliographiques
Auteur principal: Caufield, Catherine L. (Auteur)
Type de support: Électronique Article
Langue:Anglais
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Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Publié: 2021
Dans: Religious studies and theology
Année: 2021, Volume: 40, Numéro: 2, Pages: 203-216
Sujets non-standardisés:B Holocaust
B narrative techniques
B kapo
B narrative strategies
B unreliable narrator
Accès en ligne: Volltext (lizenzpflichtig)
Volltext (lizenzpflichtig)
Description
Résumé:"Edgia’s Revenge" is ostensibly the story of a symbiotic relationship between Rella and Edgia, two women who were inmates in Auschwitz during World War II. The narrative is written in retrospective, a kind of suicide note that the protagonist prepares before taking the coloured pills on her bedside. It is the telling of the story of an unrepentant female kapo, the term for Jewish guards who supervised the forced labour of other Jews in the heinous concentration and forced labour camps. The reader serves as listening witness as Rella remorselessly absolves herself of her own behaviour, refusing responsibility even for the act of taking her own life. "Edgia’s Revenge" is an unsettling short story; its disquieting tone is created in no small part by the use of unreliability in the narrative voice and Rella’s unrepentant account of her life. Her self-centredness and twisted perception is chilling, particularly as it is dressed in the beautiful clothes of kindness and culture; this outward beauty covers, hides, a Jew who participated in carrying out the activities of the death camps. "Edgia’s Revenge" presents the undressing, the revealing, of a woman who, because she survived, was forced, ultimately unbearably, to live with herself and her own behaviour.
ISSN:1747-5414
Contient:Enthalten in: Religious studies and theology
Persistent identifiers:DOI: 10.1558/rst.21472