From the Goddess Guanyin to Señor Santo Niño: Chinese and Filipino Restaurant Religion in Canada
"Restaurant religion" describes the practice whereby Asian migrants throughout the diaspora display religious objects in their places of business. Many first generation migrants to Canada use the restaurant as a site to display their sense of belonging and religious freedom. Among the Chin...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Equinox Publ.
2016
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| In: |
Religious studies and theology
Year: 2016, Volume: 35, Issue: 2, Pages: 161-171 |
| Further subjects: | B
Ancestor worship
B Migration B Asian Canadian history B Chinese religion B Catholicism B Foodways B Devotion B Filipino religion |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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| 520 | |a "Restaurant religion" describes the practice whereby Asian migrants throughout the diaspora display religious objects in their places of business. Many first generation migrants to Canada use the restaurant as a site to display their sense of belonging and religious freedom. Among the Chinese, religious displays were hidden from customers until after the repeal of the Chinese Immigration Act in 1947. For Filipinos, by contrast, religious displays from the beginning were out in the open. From the statues of the Goddess Guanyin to those of green and redrobed Señor Santo Niño restaurant religion tells of favoured deities, devotional practices and family connections. Restaurants provide homes away from home, recreating intimate dining spaces, offering familiar tastes and religious cultures. They became the focal points of Chinatowns and Manila towns throughout Canada. And while restaurant religion is only one aspect of a migrant’s spiritual life it signals the hunger for both faith and familial sustenance. | ||
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