Baghdad in My Shadow (2019): a Political Thriller in a Multireligious Europe: Gender Emancipation and Fundamentalism in a Fictive Iraqi Diaspora Community in London
This article presents the Swiss-Iraqi director Samir Jamal Aldin and his thriller Baghdad in My Shadow (2019) and puts it into a context of the re-negotiation of identities in a culturally diverse Europe. The director’s intention is presented as a wish to deal with taboo issues related to gay rights...
Main Author: | |
---|---|
Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Brill
2022
|
In: |
Journal of religion, media and digital culture
Year: 2022, Volume: 11, Issue: 2, Pages: 149-170 |
Standardized Subjects / Keyword chains: | B
Baghdad in My Shadow
/ London
/ Iraqis
/ Islam
/ Fundamentalism
/ Sexism
|
IxTheo Classification: | AD Sociology of religion; religious policy AG Religious life; material religion BJ Islam KBF British Isles NBE Anthropology NCB Personal ethics NCF Sexual ethics |
Further subjects: | B
Salafism
B honour culture B Religious Diversity B dynamic secularism B Film B Meaning-making B thick viewing |
Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
MARC
LEADER | 00000caa a22000002 4500 | ||
---|---|---|---|
001 | 1835746128 | ||
003 | DE-627 | ||
005 | 20230629083958.0 | ||
007 | cr uuu---uuuuu | ||
008 | 230215s2022 xx |||||o 00| ||eng c | ||
024 | 7 | |a 10.1163/21659214-bja10063 |2 doi | |
035 | |a (DE-627)1835746128 | ||
035 | |a (DE-599)KXP1835746128 | ||
040 | |a DE-627 |b ger |c DE-627 |e rda | ||
041 | |a eng | ||
084 | |a 0 |2 ssgn | ||
100 | 1 | |a Axelson, Tomas |e VerfasserIn |4 aut | |
245 | 1 | 0 | |a Baghdad in My Shadow (2019): a Political Thriller in a Multireligious Europe: Gender Emancipation and Fundamentalism in a Fictive Iraqi Diaspora Community in London |
264 | 1 | |c 2022 | |
336 | |a Text |b txt |2 rdacontent | ||
337 | |a Computermedien |b c |2 rdamedia | ||
338 | |a Online-Ressource |b cr |2 rdacarrier | ||
520 | |a This article presents the Swiss-Iraqi director Samir Jamal Aldin and his thriller Baghdad in My Shadow (2019) and puts it into a context of the re-negotiation of identities in a culturally diverse Europe. The director’s intention is presented as a wish to deal with taboo issues related to gay rights, women’s emancipation, and religious fundamentalism within an Iraqi community in contemporary London. The film is analysed with the help of (1) theories analysing tensions between liberal-secular and religious-fundamentalist standpoints, and (2) theories about film viewers’ engagement, amplifying audiences’ emotions and thoughts about complex societal issues. The film could be said to advocate a standpoint of dynamic secularism promoting individual rights. The article argues, furthermore, that Samir as a Swiss-Iraqi filmmaker encourages thick viewing through his thriller format and invites the audience to a deeper emotional and intellectual understanding of liberal principles, honour culture, and hybrid identity positions in contemporary Europe. | ||
601 | |a Thriller | ||
601 | |a Fundament | ||
601 | |a Diaspora | ||
650 | 4 | |a Salafism | |
650 | 4 | |a dynamic secularism | |
650 | 4 | |a Film | |
650 | 4 | |a honour culture | |
650 | 4 | |a Meaning-making | |
650 | 4 | |a Religious Diversity | |
650 | 4 | |a thick viewing | |
652 | |a AD:AG:BJ:KBF:NBE:NCB:NCF | ||
689 | 0 | 0 | |d u |0 (DE-588)1294328956 |0 (DE-627)1851235558 |a Baghdad in My Shadow |2 gnd |
689 | 0 | 1 | |d g |0 (DE-588)4074335-4 |0 (DE-627)106089994 |0 (DE-576)209193417 |2 gnd |a London |
689 | 0 | 2 | |d s |0 (DE-588)4449947-4 |0 (DE-627)226988554 |0 (DE-576)212560859 |2 gnd |a Iraker |
689 | 0 | 3 | |d s |0 (DE-588)4027743-4 |0 (DE-627)106283499 |0 (DE-576)20897220X |2 gnd |a Islam |
689 | 0 | 4 | |d s |0 (DE-588)4137178-1 |0 (DE-627)104458224 |0 (DE-576)209675438 |2 gnd |a Fundamentalismus |
689 | 0 | 5 | |d s |0 (DE-588)4116483-0 |0 (DE-627)105806331 |0 (DE-576)209501960 |2 gnd |a Sexismus |
689 | 0 | |5 (DE-627) | |
773 | 0 | 8 | |i Enthalten in |t Journal of religion, media and digital culture |d Leiden : Brill, 2012 |g 11(2022), 2, Seite 149-170 |h Online-Ressource |w (DE-627)890444412 |w (DE-600)2897232-6 |w (DE-576)489794327 |x 2165-9214 |7 nnns |
773 | 1 | 8 | |g volume:11 |g year:2022 |g number:2 |g pages:149-170 |
856 | |u https://brill.com/downloadpdf/journals/rmdc/11/2/article-p149_001.pdf |x unpaywall |z Vermutlich kostenfreier Zugang |h publisher [open (via page says license)] | ||
856 | 4 | 0 | |u https://brill.com/view/journals/rmdc/11/2/article-p149_001.xml |x Verlag |z kostenfrei |3 Volltext |
856 | 4 | 0 | |u https://doi.org/10.1163/21659214-bja10063 |x Resolving-System |z kostenfrei |3 Volltext |
951 | |a AR | ||
ELC | |a 1 | ||
ITA | |a 1 |t 1 | ||
LOK | |0 000 xxxxxcx a22 zn 4500 | ||
LOK | |0 001 4272581236 | ||
LOK | |0 003 DE-627 | ||
LOK | |0 004 1835746128 | ||
LOK | |0 005 20230616121212 | ||
LOK | |0 008 230215||||||||||||||||ger||||||| | ||
LOK | |0 040 |a DE-Tue135 |c DE-627 |d DE-Tue135 | ||
LOK | |0 092 |o n | ||
LOK | |0 852 |a DE-Tue135 | ||
LOK | |0 852 1 |9 00 | ||
LOK | |0 935 |a ixzs |a ixzo | ||
LOK | |0 936ln |0 1442043016 |a AD | ||
LOK | |0 936ln |0 1442043229 |a AG | ||
LOK | |0 936ln |0 1442043539 |a BJ | ||
LOK | |0 936ln |0 1442044888 |a KBF | ||
LOK | |0 936ln |0 144205168X |a NBE | ||
LOK | |0 936ln |0 1442052813 |a NCB | ||
LOK | |0 936ln |0 1442052961 |a NCF | ||
OAS | |a 1 | ||
ORI | |a SA-MARC-ixtheoa001.raw | ||
REF | |a Islamismus | ||
REL | |a 1 | ||
STA | 0 | 0 | |a Film,Film,Motion pictures,Fundamentalism,Fundamentalism,Iraqis,Islam,Islam,Sexism |
STB | 0 | 0 | |a Film,Film,Cinéma,Cinéma,Cinéma (motif),Cinéma,Fondamentalisme,Fondamentalisme,Irakien,Iraquien,Iraquien,Islam,Islam,Sexisme |
STC | 0 | 0 | |a Fundamentalismo,Fundamentalismo,Iraquí,Islam,Islam,Película,Película,Cine,Sexismo |
STD | 0 | 0 | |a Film <motivo>,Film,Cinema,Cinema,Cinema (motivo),Cinema,Integralismo <motivo>,Integralismo,Fondamentalismo,Fondamentalismo,Fondamentalismo (motivo),Fondamentalismo,Iracheni,Islam,Islam,Sessismo |
STE | 0 | 0 | |a 伊斯兰教,伊斯兰教,回教,回教,基要主义,基要主义,基本教义派,原教旨主义,基本教义派,原教旨主义,性别歧视主义,电影,电影 |
STF | 0 | 0 | |a 伊斯蘭教,伊斯蘭教,回教,回教,基要主義,基要主義,基本教義派,原教旨主義,基本教義派,原教旨主義,性別歧視主義,電影,電影 |
STG | 0 | 0 | |a Filme,Filme,Fundamentalismo,Fundamentalismo,Iraquiano,Islã,Islã,Sexismo |
STH | 0 | 0 | |a Иракец,Ислам (мотив),Ислам,Сексизм,Фильм (мотив),Фильм,Фундаментализм (мотив),Фундаментализм |
STI | 0 | 0 | |a Ιρακινοί,Ισλάμ (μοτίβο),Ισλάμ,Σεξισμός,Έμφυλη διάκριση,Φιλμ<μοτίβο>,Κινηματογραφική ταινία,Ταινία (μοτίβο),Φονταμενταλισμός <μοτίβο>,Φονταμενταλισμός,Θεμελιωτισμός,Θεμελιωτισμός (μοτίβο) |
SUB | |a REL | ||
SYE | 0 | 0 | |a Film,Fernsehfilm,Filmkunst,Kinofilm,Motion picture,Movie,Spielfilm,Kino <Film>,Spielfilm,Filmaufnahme,Filme,Kino,Filmaufnahme |
SYG | 0 | 0 | |a My beautiful Baghdad , Township of London,County of London,Corporation of London,Greater London,Londinium,Londyn,Landan,Lundun,Augusta Trinobantum,Londres,Londra,Londen,London,Londinum,Lundonia,Westminster,Londinium , Islam , Religiöser Fundamentalismus,Religion , Sexistisches Verhalten |