The productions of time: a study of the human imagination
"The Productions of Time argues that it is time to return to myth criticism to refine its genuine vision from its ideological limitations. Myth criticism flourished briefly in the 1960s but was eclipsed by literary theories that asserted difference and diversity and were skeptical about common,...
| Autor principal: | |
|---|---|
| Tipo de documento: | Recurso Electrónico Livro |
| Idioma: | Inglês |
| Serviço de pedido Subito: | Pedir agora. |
| Verificar disponibilidade: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publicado em: |
Montreal Kingston London Chicago
McGill-Queen's University Press
2021
|
| Em: | Ano: 2021 |
| (Cadeias de) Palavra- chave padrão: | B
Mitologia
/ Literatura
/ Crítica literária
B Girard, René 1923-2015 |
| Outras palavras-chave: | B
Literary Criticism
B Mythology in literature B Criticism |
| Acesso em linha: |
Volltext (lizenzpflichtig) |
| Parallel Edition: | Não eletrônico
|
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| 109 | |a Dolzani, Michael 1951- | ||
| 245 | 1 | 4 | |a The productions of time |b a study of the human imagination |c Michael Dolzani |
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| 520 | |a "The Productions of Time argues that it is time to return to myth criticism to refine its genuine vision from its ideological limitations. Myth criticism flourished briefly in the 1960s but was eclipsed by literary theories that asserted difference and diversity and were skeptical about common, unifying patterns. But theories affirming only difference and conflict proved incapable of inspiring solidarity or guiding progressive social action. The book sketches an anatomy of the imagination as evidenced in the total body of its productions, including mythology, the arts, popular culture, and religious and political texts, thereby suggesting a symbolic language as a lingua franca enabling dialogue across ideological and individual differences. The imagination is an expanded vision of reality that does not suppress the distinction between self and other, self and world, but unites them as what William Blake called Contraries. It becomes the only possible model of a just society that does not achieve unity at the expense of differences. The Productions of Time argues that the imagination is part of the human inheritance, common to all and not just to poets and mystics."-- | ||
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| STF | 0 | 0 | |a 文學,文學批判,文學評論,文學批評,神話,神話學 |
| STG | 0 | 0 | |a Crítica literária,Literatura,Literatura,Mitologia |
| STH | 0 | 0 | |a Литература (мотив),Литература,Литературная критика,Мифология |
| STI | 0 | 0 | |a Λογοτεχνία (μοτιβο),Λογοτεχνία,Λογοτεχνική κριτική,Μυθολογία |
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