From the Aesthetic Theme to the Aesthetic Myth: a Reflection on the Trinitarian God’s Connection to Nature and the Problem of Evil
The article begins with a reflection on the ‘conversation between mythologies’ present in the debate between C. Robert Mesle and John Hick on the role of Irenaean theodicy and process theology to tackle convincingly the problem of evil in the contemporary and future context of scientific advancement...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Springer Netherlands
2022
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| In: |
Sophia
Year: 2022, Volume: 61, Issue: 4, Pages: 839-868 |
| Further subjects: | B
Francis of Assisi
B Nature B John Hick B Natural Evil B Process theology B Trinity B Maximus the Confessor B Theodicy B Aesthetics B Logos |
| Online Access: |
Volltext (lizenzpflichtig) |
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| 520 | |a The article begins with a reflection on the ‘conversation between mythologies’ present in the debate between C. Robert Mesle and John Hick on the role of Irenaean theodicy and process theology to tackle convincingly the problem of evil in the contemporary and future context of scientific advancement. I argue that, although these two authors consider their mythological perspectives to be widely different, there is a possibility of advancing toward conciliating the two views. I call the resulting myth the ‘aesthetic myth,’ which focuses on the Trinitarian God, seen concomitantly as omnipotent and limited. Inspired also by the thought of St. Francis of Assisi and St. Maximus the Confessor, this myth asserts nature’s free initiative as co-creator with the Logos and the natural evil emerging from this initiative. Moral evil comes from natural evil; thus, ‘original sin’ shows no unsurpassable gap between God and humanity. | ||
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