The Music of Arnold Schoenberg: Catastrophe and Creation
Michael Cherlin explores two aspects of creation in relation to catastrophe: creation as a response to catastrophe, so that newly emerging forms of creativity are part of a coping or healing process; and creation itself as entailing catastrophe, a shattering of former meaning so that new meaning mig...
| Main Author: | |
|---|---|
| Format: | Print Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Indiana University Press
2022
|
| In: |
The betrayal of the humanities
Year: 2022, Pages: 402-422 |
| Further subjects: | B
Schönberg, Arnold
B Tonality B Bloom, Harold B Kabbalah B Dissonanz B Prussian Academy of Arts B Antisemitism B Moses und Aron B History of music B Preußische Akademie der Künste B Musik und Theologie B Twelve-tone technique B Atonalität |
MARC
| LEADER | 00000caa a2200000 4500 | ||
|---|---|---|---|
| 001 | 1830141503 | ||
| 003 | DE-627 | ||
| 005 | 20240625092608.0 | ||
| 007 | tu | ||
| 008 | 221231s2022 xx ||||| 00| ||eng c | ||
| 020 | |a 9780253060792 | ||
| 035 | |a (DE-627)1830141503 | ||
| 035 | |a (DE-599)KXP1830141503 | ||
| 040 | |a DE-627 |b ger |c DE-627 |e rda | ||
| 041 | |a eng | ||
| 084 | |a 1 |2 ssgn | ||
| 100 | 1 | |e VerfasserIn |0 (DE-588)136829457 |0 (DE-627)694690864 |0 (DE-576)301298343 |4 aut |a Cherlin, Michael | |
| 109 | |a Cherlin, Michael | ||
| 245 | 1 | 4 | |a The Music of Arnold Schoenberg |b Catastrophe and Creation |c Michael Cherlin |
| 264 | 1 | |c 2022 | |
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a ohne Hilfsmittel zu benutzen |b n |2 rdamedia | ||
| 338 | |a Band |b nc |2 rdacarrier | ||
| 520 | |a Michael Cherlin explores two aspects of creation in relation to catastrophe: creation as a response to catastrophe, so that newly emerging forms of creativity are part of a coping or healing process; and creation itself as entailing catastrophe, a shattering of former meaning so that new meaning might emerge. Using a dialectical paradigm derived from Harold Bloom’s book Kabbalah and Criticism (1975), Cherlin posits three transformative “moments” of catastrophe and creation in Arnold Schoenberg’s life and works. The first moment is coincident with the upheaval in the arts in the years just prior to World War I. The second moment occurs during the interwar years, the tumultuous period that saw the virulent rise of anti-Semitism and a second sea change in Schoenberg’s musical language. The first two moments of creative and personal catastrophe become the precursors to the final moment, Schoenberg’s forced resignation from the Prussian Academy of Arts, his emigration to the United States, and the final stage of the composer’s life. | ||
| 650 | 4 | |a Schönberg, Arnold | |
| 650 | 4 | |a Moses und Aron | |
| 650 | 4 | |a Zwölftontechnik | |
| 650 | 4 | |a Tonalität | |
| 650 | 4 | |a Dissonanz | |
| 650 | 4 | |a Atonalität | |
| 650 | 4 | |a Bloom, Harold | |
| 650 | 4 | |a Kabbalah | |
| 650 | 4 | |a Preußische Akademie der Künste | |
| 650 | 4 | |a Prussian Academy of Arts | |
| 650 | 4 | |a Musik und Theologie | |
| 650 | 4 | |a Antisemitismus | |
| 650 | 4 | |a Musikgeschichte | |
| 773 | 0 | 8 | |i Enthalten in |t The betrayal of the humanities |d Bloomington, Indiana : Indiana University Press, 2022 |g (2022), Seite 402-422 |h xx, 600 Seiten |w (DE-627)1800358989 |z 9780253060785 |z 9780253060792 |z 0253060788 |z 0253060796 |7 nnnm |
| 773 | 1 | 8 | |g year:2022 |g pages:402-422 |
| 935 | |a mteo |a BIIN | ||
| 951 | |a AR | ||
| BIB | |a 1 | ||
| ELC | |b 1 | ||
| ITA | |a 1 |t 1 | ||
| LOK | |0 000 xxxxxcx a22 zn 4500 | ||
| LOK | |0 001 4241852262 | ||
| LOK | |0 003 DE-627 | ||
| LOK | |0 004 1830141503 | ||
| LOK | |0 005 20221231034921 | ||
| LOK | |0 008 221231||||||||||||||||ger||||||| | ||
| LOK | |0 035 |a (DE-Tue135)1800358989_2022_402 | ||
| LOK | |0 040 |a DE-Tue135 |c DE-627 |d DE-Tue135 | ||
| LOK | |0 092 |o n | ||
| LOK | |0 852 |a DE-Tue135 | ||
| LOK | |0 852 1 |9 00 | ||
| LOK | |0 935 |a imwa |a ixau |a ixrk | ||
| LOK | |0 000 xxxxxcx a22 zn 4500 | ||
| LOK | |0 001 4539978217 | ||
| LOK | |0 003 DE-627 | ||
| LOK | |0 004 1830141503 | ||
| LOK | |0 005 20240619081704 | ||
| LOK | |0 008 240619||||||||||||||||ger||||||| | ||
| LOK | |0 040 |a DE-Tue135-1 |c DE-627 |d DE-Tue135-1 | ||
| LOK | |0 852 |a DE-Tue135-1 | ||
| LOK | |0 852 1 |m p |9 00 | ||
| LOK | |0 935 |a inau | ||
| LOK | |0 938 |k p | ||
| ORI | |a SA-MARC-ixtheoa001.raw | ||
| STA | 0 | 0 | |a Antisemitism,Antisemitism,Antisemitism in art,History of music,Tonality,Twelve-tone technique,Dodecaphony,Dodecaphony |
| STB | 0 | 0 | |a Antisémitisme,Antisémitisme,Dodécaphonisme,Histoire de la musique,Tonalité |
| STC | 0 | 0 | |a Antisemitismo,Antisemitismo,Dodecafonía,Historia de la música,Tonalidad |
| STD | 0 | 0 | |a Antisemitismo,Antisemitismo,Dodecafonia,Musica dodecafonica,Musica dodecafonica,Storia della musica,Tonalità |
| STE | 0 | 0 | |a 反犹太主义,反犹太主义 |
| STF | 0 | 0 | |a 反猶太主義,反猶太主義,调性 |
| STG | 0 | 0 | |a Antissemitismo,Antissemitismo,Dodecafonia,História da música,Tonalidade |
| STH | 0 | 0 | |a Антисемитизм (мотив),Антисемитизм,Додекафония,История музыки (дисциплина),Тональность |
| STI | 0 | 0 | |a Αντισημιτισμός (μοτίβο),Αντισημιτισμός,Δωδεκαφθογγισμός,Ιστορία της μουσικής (μάθημα),Τονικότητα |
| SUB | |a BIB | ||
| SYE | 0 | 0 | |a Še͏̈nberg, A.,Schonberg, Arnold , Dodekaphonie,Zwölftonmusik,Dodekafonie , Tonale Musik , Vane, William Clyde de,DeVane, William Clyde , Judenfeindschaft,Judenhass,Judenfeindschaft,Judenhass , Musik,Musik |