Hortus Conclusus—A Mariological Metaphor in Some Renaissance Paintings of the Annunciation in the Light of Medieval Liturgical Hymns
This article seeks to shed light on the doctrinal meanings of the closed garden included in some Renaissance paintings of the Annunciation. To justify the iconographic interpretations that we will give of these paintings, we will base them on the analysis of many medieval liturgical hymns that poeti...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
MDPI
2023
|
| In: |
Religions
Year: 2023, Volume: 14, Issue: 1 |
| Further subjects: | B
Mariology
B divine motherhood B liturgical hymns B perpetual virginity B renaissance art B Annunciation B Virgin Mary |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
MARC
| LEADER | 00000naa a22000002 4500 | ||
|---|---|---|---|
| 001 | 1830031813 | ||
| 003 | DE-627 | ||
| 005 | 20221227214929.0 | ||
| 007 | cr uuu---uuuuu | ||
| 008 | 221227s2023 xx |||||o 00| ||eng c | ||
| 024 | 7 | |a 10.3390/rel14010036 |2 doi | |
| 035 | |a (DE-627)1830031813 | ||
| 035 | |a (DE-599)KXP1830031813 | ||
| 040 | |a DE-627 |b ger |c DE-627 |e rda | ||
| 041 | |a eng | ||
| 084 | |a 0 |2 ssgn | ||
| 100 | 1 | |e VerfasserIn |0 (DE-588)1027033873 |0 (DE-627)728148870 |0 (DE-576)372275737 |4 aut |a Salvador, José María |d 1947- | |
| 109 | |a Salvador, José María 1947- |a Salvador González, José María 1947- |a González, José María Salvador 1947- |a Salvador-González, José María 1947- | ||
| 245 | 1 | 0 | |a Hortus Conclusus—A Mariological Metaphor in Some Renaissance Paintings of the Annunciation in the Light of Medieval Liturgical Hymns |
| 264 | 1 | |c 2023 | |
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a Computermedien |b c |2 rdamedia | ||
| 338 | |a Online-Ressource |b cr |2 rdacarrier | ||
| 520 | |a This article seeks to shed light on the doctrinal meanings of the closed garden included in some Renaissance paintings of the Annunciation. To justify the iconographic interpretations that we will give of these paintings, we will base them on the analysis of many medieval liturgical hymns that poetically designate the Virgin Mary through the metaphorical expression hortus conclusus (closed garden) with which the Husband or Bridegroom requisites the Wife or Bride in the Song of Songs. We will divide our article into two parts as a strategy for analysis. First, we will analyze an extensive series of fragments of liturgical hymns that repeatedly praise Mary through this biblical metaphor. In the second part, we will examine some artistic representations of the Annunciation that, in the Italian Renaissance, depict a closed garden in the scene. From this double comparative analysis, textual and iconic, we will conclude that, in direct and essential correlation, those hymnic texts and those paintings clearly illustrate that the hortus conclusus is an eloquent symbol of the virginal divine motherhood of Mary and her perpetual virginity, as well as the excellence and fullness of her supernatural virtues and privileges. | ||
| 601 | |a Hortus conclusus | ||
| 601 | |a Mariologie | ||
| 601 | |a Renaissance | ||
| 650 | 4 | |a renaissance art | |
| 650 | 4 | |a liturgical hymns | |
| 650 | 4 | |a Mariology | |
| 650 | 4 | |a perpetual virginity | |
| 650 | 4 | |a divine motherhood | |
| 650 | 4 | |a Virgin Mary | |
| 650 | 4 | |a Annunciation | |
| 773 | 0 | 8 | |i Enthalten in |t Religions |d Basel : MDPI, 2010 |g 14(2023), 1, Artikel-ID 36 |h Online-Ressource |w (DE-627)665435797 |w (DE-600)2620962-7 |w (DE-576)348219067 |x 2077-1444 |7 nnns |
| 773 | 1 | 8 | |g volume:14 |g year:2023 |g number:1 |g elocationid:36 |
| 856 | |u https://www.mdpi.com/2077-1444/14/1/36/pdf?version=1672197969 |x unpaywall |z Vermutlich kostenfreier Zugang |h publisher [oa journal (via doaj)] | ||
| 856 | 4 | 0 | |u https://doi.org/10.3390/rel14010036 |x Resolving-System |z kostenfrei |3 Volltext |
| 856 | 4 | 0 | |u https://www.mdpi.com/2077-1444/14/1/36 |x Verlag |z kostenfrei |3 Volltext |
| 935 | |a mteo | ||
| 936 | u | w | |d 14 |j 2023 |e 1 |i 36 |
| 951 | |a AR | ||
| ELC | |a 1 | ||
| LOK | |0 000 xxxxxcx a22 zn 4500 | ||
| LOK | |0 001 4241307906 | ||
| LOK | |0 003 DE-627 | ||
| LOK | |0 004 1830031813 | ||
| LOK | |0 005 20221227052511 | ||
| LOK | |0 008 221227||||||||||||||||ger||||||| | ||
| LOK | |0 035 |a (DE-Tue135)IxTheo#2022-12-26#378E2B789EB099404A8FF9A0F32866E5FC35329B | ||
| LOK | |0 040 |a DE-Tue135 |c DE-627 |d DE-Tue135 | ||
| LOK | |0 092 |o n | ||
| LOK | |0 852 |a DE-Tue135 | ||
| LOK | |0 852 1 |9 00 | ||
| LOK | |0 935 |a ixzs |a zota | ||
| OAS | |a 1 | ||
| ORI | |a SA-MARC-ixtheoa001.raw | ||
| REL | |a 1 | ||
| SUB | |a REL | ||