Speaking Cyborg: Technoculture and Technonature
Two ways of self-interpretation merged in Western thought: the Hebrew and the Greek. What is unique, if anything, about the human species? The reinterpretation of this problem has been a constant process; here I am referring to Philip Hefner and the term created co-creator, and particularly to Donna...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Open Library of Humanities$s2024-
2002
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| In: |
Zygon
Year: 2002, Volume: 37, Issue: 2, Pages: 279-288 |
| Further subjects: | B
created co–creator
B Technoscience B Bruce Mazlish B Donna Haraway B Human Being B Cyborgs B Philip Hefner |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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| 520 | |a Two ways of self-interpretation merged in Western thought: the Hebrew and the Greek. What is unique, if anything, about the human species? The reinterpretation of this problem has been a constant process; here I am referring to Philip Hefner and the term created co-creator, and particularly to Donna Haraway and the term cyborg. Simultaneously, humans have been fascinated by the thought of transgressing the boundaries that seem to separate them from the rest of nature. Any culture reflects the ways it relates to nature. Our nature is technonature, and our culture is technoculture. Our reality can be best approached by the metaphor and symbol cyborg. Donna Haraway's cyborg is not just an interesting figure of speech, it is also a description—of ourselves and our culture. Also, contemporary fiction reflects the return of ontological questions: What is a world? What is the self? The cyborg acknowledges our mode of existence and destabilizes the traditional procedures of identity construction. | ||
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