The productions of time: a study of the human imagination

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Detalles Bibliográficos
Autor principal: Dolzani, Michael 1951- (Autor)
Autor Corporativo: JSTOR (Organization) (Otro)
Tipo de documento: Electrónico Libro
Lenguaje:Inglés
Servicio de pedido Subito: Pedir ahora.
Verificar disponibilidad: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Publicado: Montreal Chicago McGill-Queen's University Press 2021
En:Año: 2021
(Cadenas de) Palabra clave estándar:B Mitología / Literatura / Crítica literaria
B Girard, René 1923-2015
Otras palabras clave:B Literary Criticism
B Mythology in literature
B Criticism
Acceso en línea: Volltext (lizenzpflichtig)
Parallel Edition:No electrónico

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505 8 |a Overture: Concerning mandala symbolism: the symbol with and without meaning -- Introduction: The state of criticism at the present time -- Part 1. First there is a mountain: the vertical axis ascending. I. Revelation, or imagination ; II. Emanation ; III. Creation ; IV. Scripture as creation ; V. “Our great salvation from above”: traditional mythology and the point of transcendence -- Part s. There is a season: the cycle. I. Paradise ; II. The fall ; III. The fallen world of cyclical time: law and sacrifice ; IV. Tragedy ; V. Comedy ; VI. The form of drama -- Part 3. The eye begins to see: the horizontal axis. I. The affirmation of the cycle ; II. The progressive vision ; III. What the hammer? The forge of language ; IV. The ironic cycle and the clarification of vision ; V. The recreation of evolution: hunting cultures ; VI. The recreation of evolution: gathering and planting cultures ; VII. The mythology of urban civilization and empire ; VIII. The progressive vision of the Bible: The trickster God ; IX. The progressive vision of the Bible: Letter and Spirit ; X. The progressive vision of the Bible: Typology ; XI. The Progressive vision in classical mythology ; XII. The middle ages and Renaissance: Romantic and spiritual heroes ; XIII. Shakespearean tragicomedy or romance ; XIV. Summary and prelude: the historical Nexus of romanticism ; XV. In the white giant’s thigh: romantic and anti-romantic ; XVI. Prometheus Agonistes: German idealism and Marxism ; XVII. Romantic internalization ; XVIII. The Novel: the realistic horizontal ; XIX. The historical novel and science fiction ; XX. The novel as epic ; XXI. The lyric as epic -- Part 4. You want it darker: the vertical axis descending. I. Decreation and the descent quest ; II. Decreative realism ; III. Creative non-fiction: surface and depth ; IV. The lyric: surface and depth ; V. The decreation myth of language ; VI. The otherworld: traditional and dark romance ; VII. The sublime ; VIII. The urban otherworld ; IX. The demonic: the principle of negation ; X. The pluralistic afterlife ; XI. Nothing ; XII. Reversal ; XIII. Satire and apocalypse ; XIV. Satire, laughter, and the redemption of time. 
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STD 0 0 |a Critica letteraria,Letteratura,Letteratura,Mitologia 
STE 0 0 |a 文学,文学批判,文学评论,文学批评,神话,神话学 
STF 0 0 |a 文學,文學批判,文學評論,文學批評,神話,神話學 
STG 0 0 |a Crítica literária,Literatura,Literatura,Mitologia 
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