The productions of time: a study of the human imagination
| Autor principal: | |
|---|---|
| Autor Corporativo: | |
| Tipo de documento: | Electrónico Libro |
| Lenguaje: | Inglés |
| Servicio de pedido Subito: | Pedir ahora. |
| Verificar disponibilidad: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publicado: |
Montreal Chicago
McGill-Queen's University Press
2021
|
| En: | Año: 2021 |
| (Cadenas de) Palabra clave estándar: | B
Mitología
/ Literatura
/ Crítica literaria
B Girard, René 1923-2015 |
| Otras palabras clave: | B
Literary Criticism
B Mythology in literature B Criticism |
| Acceso en línea: |
Volltext (lizenzpflichtig) |
| Parallel Edition: | No electrónico
|
MARC
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| 100 | 1 | |e VerfasserIn |0 (DE-588)134074688 |0 (DE-627)560218168 |0 (DE-576)185869130 |4 aut |a Dolzani, Michael |d 1951- | |
| 109 | |a Dolzani, Michael 1951- | ||
| 245 | 1 | 4 | |a The productions of time |b a study of the human imagination |c Michael Dolzani |
| 264 | 1 | |a Montreal |a Chicago |b McGill-Queen's University Press |c 2021 | |
| 264 | 4 | |c ©2021 | |
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| 505 | 8 | |a Overture: Concerning mandala symbolism: the symbol with and without meaning -- Introduction: The state of criticism at the present time -- Part 1. First there is a mountain: the vertical axis ascending. I. Revelation, or imagination ; II. Emanation ; III. Creation ; IV. Scripture as creation ; V. “Our great salvation from above”: traditional mythology and the point of transcendence -- Part s. There is a season: the cycle. I. Paradise ; II. The fall ; III. The fallen world of cyclical time: law and sacrifice ; IV. Tragedy ; V. Comedy ; VI. The form of drama -- Part 3. The eye begins to see: the horizontal axis. I. The affirmation of the cycle ; II. The progressive vision ; III. What the hammer? The forge of language ; IV. The ironic cycle and the clarification of vision ; V. The recreation of evolution: hunting cultures ; VI. The recreation of evolution: gathering and planting cultures ; VII. The mythology of urban civilization and empire ; VIII. The progressive vision of the Bible: The trickster God ; IX. The progressive vision of the Bible: Letter and Spirit ; X. The progressive vision of the Bible: Typology ; XI. The Progressive vision in classical mythology ; XII. The middle ages and Renaissance: Romantic and spiritual heroes ; XIII. Shakespearean tragicomedy or romance ; XIV. Summary and prelude: the historical Nexus of romanticism ; XV. In the white giant’s thigh: romantic and anti-romantic ; XVI. Prometheus Agonistes: German idealism and Marxism ; XVII. Romantic internalization ; XVIII. The Novel: the realistic horizontal ; XIX. The historical novel and science fiction ; XX. The novel as epic ; XXI. The lyric as epic -- Part 4. You want it darker: the vertical axis descending. I. Decreation and the descent quest ; II. Decreative realism ; III. Creative non-fiction: surface and depth ; IV. The lyric: surface and depth ; V. The decreation myth of language ; VI. The otherworld: traditional and dark romance ; VII. The sublime ; VIII. The urban otherworld ; IX. The demonic: the principle of negation ; X. The pluralistic afterlife ; XI. Nothing ; XII. Reversal ; XIII. Satire and apocalypse ; XIV. Satire, laughter, and the redemption of time. | |
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| STH | 0 | 0 | |a Литература (мотив),Литература,Литературная критика,Мифология |
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