A Seal Pressed in the Hot Wax of Vengeance: A Girardian Understanding of Expressive Punishment
Expressive punishment is popular at the voting booth and in academic journals. Yet concerns remain about expressive punishment's pathological tendencies.The work of René Girard explains the popularity of expressive punishment and diagnoses its pathology. Girard's analysis of violence, incl...
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| Format: | Electronic Article |
| Language: | English |
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Cambridge Univ. Press
2001
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| In: |
Journal of law and religion
Year: 2001, Volume: 16, Issue: 1, Pages: 35-68 |
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| 520 | |a Expressive punishment is popular at the voting booth and in academic journals. Yet concerns remain about expressive punishment's pathological tendencies.The work of René Girard explains the popularity of expressive punishment and diagnoses its pathology. Girard's analysis of violence, including the lawful violence categorized as punishment, is religious, anthropological, and literary. He posits that the mimetic and conflictual nature of human desire creates crises of undifferentiated violence that are resolved by "sacred violence." Violence becomes sacred when it regenerates lost meaning, binds the community, and provides a temporary peace. Archaic religion, with its prohibitions, rituals, and myths, was a social mechanism for pragmatically managing that violence. Viewing the legal system as the heir to that tradition, that is, viewing law as our modern social technology of violence, illuminates the practice of expressive punishment.Before turning to Girard's thought, I will survey some legal scholarship to develop a broad outline of the nature of expressive punishment. Then I will make an inductive argument, following Girard, that expressive punishment is a morally problematic mechanism for both controlling and dispensing sacred violence. Finally, I will explore some implications of that argument. | ||
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