Zeilenzwischenspiele in Orgelbegleitungen zum Gemeindegesang

In the 18th and the earlier 19th century, it was common practice to add interludes between the hymn verses in the organ-accompaniment of the parish-singing. In recent essays these interludes are generally rejected. Their origin is to be seen in the chamber-musical accompaniment of the figured bass,...

Full description

Saved in:  
Bibliographic Details
Authors: Marti, Andreas (Author) ; Graf-Brawand, Susanne (Author)
Format: Electronic Article
Language:German
Check availability: HBZ Gateway
Journals Online & Print:
Drawer...
Fernleihe:Fernleihe für die Fachinformationsdienste
Published: Vandenhoeck & Ruprecht 1985
In: Jahrbuch für Liturgik und Hymnologie
Year: 1985, Volume: 29, Pages: 151-168
Online Access: Volltext (lizenzpflichtig)
Parallel Edition:Non-electronic

MARC

LEADER 00000naa a22000002 4500
001 1817648284
003 DE-627
005 20220928052749.0
007 cr uuu---uuuuu
008 220928s1985 xx |||||o 00| ||ger c
035 |a (DE-627)1817648284 
035 |a (DE-599)KXP1817648284 
040 |a DE-627  |b ger  |c DE-627  |e rda 
041 |a ger 
084 |a 1  |2 ssgn 
100 1 |a Marti, Andreas  |e VerfasserIn  |4 aut 
109 |a Marti, Andreas 
245 1 0 |a Zeilenzwischenspiele in Orgelbegleitungen zum Gemeindegesang 
264 1 |c 1985 
336 |a Text  |b txt  |2 rdacontent 
337 |a Computermedien  |b c  |2 rdamedia 
338 |a Online-Ressource  |b cr  |2 rdacarrier 
520 |a In the 18th and the earlier 19th century, it was common practice to add interludes between the hymn verses in the organ-accompaniment of the parish-singing. In recent essays these interludes are generally rejected. Their origin is to be seen in the chamber-musical accompaniment of the figured bass, a practice which can still be recognized in the compositions of G. F. Kauffmann. Besides proper interludes, J. S. Bach also elaborated transitional forms to independent compositions including a chorale melody. A choral book from the Swiss town Langenthal, dated from 1782, contains short interludes, which we would however consider as preludes to the verses. It is neither sensible nor possible to revive the practice of the interludes, though we recognize a certain relationship in so-called "new accompaniment settings." 
700 1 |a Graf-Brawand, Susanne  |e VerfasserIn  |4 aut 
773 0 8 |i Enthalten in  |t Jahrbuch für Liturgik und Hymnologie  |d Göttingen : Vandenhoeck & Ruprecht, 1955  |g 29(1985), Seite 151-168  |h Online-Ressource  |w (DE-627)813041872  |w (DE-600)2804358-3  |w (DE-576)423615688  |x 2197-3466  |7 nnns 
773 1 8 |g volume:29  |g year:1985  |g pages:151-168 
776 |i Erscheint auch als  |n Druckausgabe  |w (DE-627)1633833615  |k Non-Electronic 
856 4 0 |u https://www.jstor.org/stable/24207709  |x Verlag  |z lizenzpflichtig  |3 Volltext 
935 |a mteo 
951 |a AR 
ELC |a 1 
ITA |a 1  |t 1 
LOK |0 000 xxxxxcx a22 zn 4500 
LOK |0 001 4192592177 
LOK |0 003 DE-627 
LOK |0 004 1817648284 
LOK |0 005 20220928052749 
LOK |0 008 220928||||||||||||||||ger||||||| 
LOK |0 035   |a (DE-Tue135)IxTheo#2022-09-09#AF7E2027BE8B8ACA256AED31721B0C982A95C897 
LOK |0 040   |a DE-Tue135  |c DE-627  |d DE-Tue135 
LOK |0 092   |o n 
LOK |0 852   |a DE-Tue135 
LOK |0 852 1  |9 00 
LOK |0 935   |a ixzs  |a ixrk  |a zota 
ORI |a SA-MARC-ixtheoa001.raw