Viaggo nella realtá… La mirada diáfana del cristianismo: Rossellini y Zubiri
This simple research intends to rethink what Zubiri understood by Christianity in the light of the intuition that moved him all through his life, that is, the character of diaphanousness (transcendence). And such diaphanousness is shown in Rossellini’s movies; this film producer allows us to underst...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | Spanish |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
2006
|
| In: |
Miscelánea Comillas
Year: 2006, Volume: 64, Issue: 125, Pages: 617-631 |
| Further subjects: | B
Diafanidad
B Cristianismo B Rossellini B Zubiri B Trascendencia |
| Online Access: |
Volltext (lizenzpflichtig) |
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| 520 | |a This simple research intends to rethink what Zubiri understood by Christianity in the light of the intuition that moved him all through his life, that is, the character of diaphanousness (transcendence). And such diaphanousness is shown in Rossellini’s movies; this film producer allows us to understand the thought of the philosopher on the beautiful Christian experience. Before understanding matters such as theological, religious, philosophical, aesthetics, etc., since his early years Zubiri understood that being a Christian was something deeply linked to the vision, the light, and the visibility in which we all are by the mere fact that we are men and thus we apprehend things as real. And from this luminous character that filters everything and that is shaped in the cinema and Rossellini’s images, we can then think about religation and the presence of the Christian mystery focused on Christ. | ||
| 520 | |a Lo que se pretende en esta simple investigación es repensar lo que entiende Zubiri por Cristianismo a la luz de la intuición que lo mueve durante toda su vida, esto es, el carácter de diafanidad (trascendencia). Y tal diafanidad es la que nos presentan los planos de los Films de Rossellini; el cineasta nos permitirá comprender el pensamiento mismo del filósofo en torno a la experiencia bellamente cristiana. Anterior a cuestiones de tipo teológicas, religiosas, filosóficas, estéticas, etc. Zubiri comprendió desde muy joven que ser cristiano era algo que estaba profundamente ligado con el mirar, la luz, la visibilidad en la que todos estamos por el mero hecho de ser hombres, pues aprehendemos las cosas como reales. Y desde ese carácter de luminosidad que atraviesa todas las cosas, y que plasma el cine y las imágenes de Rossellini, se puede luego filosofar en torno a la religación y a la presencia misma del misterio del Cristianismo centrado en la persona de Cristo. | ||
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