Heroínas cristianas, heroínas míticas en Claribel Alegría = Christian heroines, mythical heroines in Claribel Alegria
Claribel Alegría (1924-2018) renueva en su poesía paradigmas femeninos cristianos, partiendo de la tradición heredada, donde se sitúa a la mujer al margen, para convertirla en protagonista, y, así, construye heroínas equivalentes en sus términos a las de la tradición grecolatina. Analizamos, a travé...
| Subtitles: | Christian heroines, mythical heroines in Claribel Alegria |
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| Main Author: | |
| Format: | Electronic Article |
| Language: | Spanish |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Biblioteca Agustiniana de Buenos Aires
2021
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| In: |
Etiam
Year: 2021, Volume: 15, Issue: 16, Pages: 168-184 |
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| 520 | |a Claribel Alegría (1924-2018) renueva en su poesía paradigmas femeninos cristianos, partiendo de la tradición heredada, donde se sitúa a la mujer al margen, para convertirla en protagonista, y, así, construye heroínas equivalentes en sus términos a las de la tradición grecolatina. Analizamos, a través de sus textos, los mecanismos empleados para alcanzar este propósito, destacando las modalidades de correlato objetivo y, dentro de ellas, el uso del monólogo dramático, así como los paralelismos existentes con otros personajes del mito clásico presentes en su obra. La expresión poética le permite crear un tenso diálogo con lo que se nos ha contado de los personajes escogidos, pues les otorga voz propia que se centra en su punto de vista. La ausencia de estudios previos sobre este particular justifica nuestra aportación. | ||
| 520 | |a Claribel Alegría (1924-2018) renews feminine Christian paradigms in her poetry, starting from the inherited tradition, where the woman is placed on the sidelines, to make her the protagonist, and, thus, constructs heroines equivalent in their terms to those of the Greco-Roman tradition. We analyze, through her texts, the mechanisms used to achieve this purpose, highlighting the modalities of objective correlation and, within them, the use of the dramatic monologue, as well as the parallels with other characters of the classical myth present in her work. The poetic expression allows her to create a tense dialogue with what we have been told about the chosen characters, as it gives them their own voice that focuses on their point of view. The absence of previous studies on this matter justifies our contribution. | ||
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