God as a Printer: On the Theological Status of Printing in the Kabbalistic Tradition of Israel Sarug
Recent decades have witnessed a broad scholarly discussion of the cultural influences of the printing press Invention. The core of this revolved around the new technological influence on the concept of knowledge, its methods of dispersion, and on social changes that it engendered in the 16th century...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Brill
2022
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| In: |
Zutot
Year: 2022, Volume: 19, Issue: 1, Pages: 121-133 |
| Further subjects: | B
printing press
B Kabbalah B Israel Sarug |
| Online Access: |
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| 520 | |a Recent decades have witnessed a broad scholarly discussion of the cultural influences of the printing press Invention. The core of this revolved around the new technological influence on the concept of knowledge, its methods of dispersion, and on social changes that it engendered in the 16th century, when it became an affordable widespread technology. This article presents the way in which the spread of the printing press influenced conceptual paradigms of Kabbalists in general, and Lurianic Kabbalists from Sarug’s tradition in particular. These Kabbalists exchanged the traditional conception of creation as an act of writing, within the conception of the world as a written text, for conceptions of creation as a printing act and the world as a printed text. I show how the professional term ‘letterpress printing’ entered these Kabbalists’ descriptions of divine emanation, alongside their conceptualization of printing as a divine activity, as writing had been conceptualized previously. | ||
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