First Films of the Holocaust: Soviet Cinema and the Genocide of the Jews, 1938–1946, Jeremy Hicks (Pittsburgh, PA: University of Pittsburgh Press, 2012), iii + 300 pp., pbk. 28.95The Phantom Holocaust: Soviet Cinema and Jewish Catastrophe, Olga Gershenson (New Brunswick, NJ: Rutgers University Press, 2013), ii + 276 pp., pbk. 29.25, electronic version available

Two new studies challenge received opinions about how the Soviet Union represented the persecution and mass murder of the Jews before, during, and after the “Great Patriotic War.” Many standard histories of World War II and its aftermath in the USSR—Alexander Werth's classic Russia at War (1964...

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Dettagli Bibliografici
Autore principale: Liebman, Stuart (Autore)
Tipo di documento: Elettronico Review
Lingua:Inglese
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Pubblicazione: Oxford University Press 2014
In: Holocaust and genocide studies
Anno: 2014, Volume: 28, Fascicolo: 2, Pagine: 343-348
Recensione di:First films of the Holocaust (Pittsburgh, Pa. : University of Pittsburgh Press, 2012) (Liebman, Stuart)
First films of the Holocaust (Pittsburgh, Pa. : University of Pittsburgh Press, 2012) (Liebman, Stuart)
Altre parole chiave:B Recensione
Accesso online: Volltext (lizenzpflichtig)
Volltext (lizenzpflichtig)
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Riepilogo:Two new studies challenge received opinions about how the Soviet Union represented the persecution and mass murder of the Jews before, during, and after the “Great Patriotic War.” Many standard histories of World War II and its aftermath in the USSR—Alexander Werth's classic Russia at War (1964), Amir Weiner's Making Sense of War (2001), and Yitzhak Arad's recent The Holocaust in the Soviet Union (2009) are representative examples—underscore the ambivalence, indeed, the outright hostility, of Soviet authorities toward singling out Jews as the Nazis' particular targets.
ISSN:1476-7937
Comprende:Enthalten in: Holocaust and genocide studies
Persistent identifiers:DOI: 10.1093/hgs/dcu031