Film and the Shoah in France and Italy, Giacomo Lichtner (Edgware, UK: Valentine Mitchell, 2008), xii + 244 pp., 74.95

This study covers in depth twelve French and Italian films from Alain Resnais's documentary Night and Fog (1956) through Roberto Benigni's Oscar-winning Life Is Beautiful (1998), and on to briefer treatments of films produced from 1998 to 2006. The focus is equally divided between film ana...

Full description

Saved in:  
Bibliographic Details
Main Author: Kelly, Van (Author)
Format: Electronic Review
Language:English
Check availability: HBZ Gateway
Journals Online & Print:
Drawer...
Fernleihe:Fernleihe für die Fachinformationsdienste
Published: Oxford University Press 2009
In: Holocaust and genocide studies
Year: 2009, Volume: 23, Issue: 3, Pages: 503-506
Review of:Film and the Shoah in France and Italy (London [u.a.] : Vallentine Mitchell, 2008) (Kelly, Van)
Further subjects:B Book review
Online Access: Volltext (lizenzpflichtig)
Volltext (lizenzpflichtig)

MARC

LEADER 00000naa a22000002 4500
001 1814479473
003 DE-627
005 20220817220845.0
007 cr uuu---uuuuu
008 220817s2009 xx |||||oo 00| ||eng c
024 7 |a 10.1093/hgs/dcp054  |2 doi 
035 |a (DE-627)1814479473 
035 |a (DE-599)KXP1814479473 
040 |a DE-627  |b ger  |c DE-627  |e rda 
041 |a eng 
084 |a 1  |2 ssgn 
100 1 |a Kelly, Van  |e VerfasserIn  |4 aut 
245 1 0 |a Film and the Shoah in France and Italy, Giacomo Lichtner (Edgware, UK: Valentine Mitchell, 2008), xii + 244 pp., 74.95 
264 1 |c 2009 
336 |a Text  |b txt  |2 rdacontent 
337 |a Computermedien  |b c  |2 rdamedia 
338 |a Online-Ressource  |b cr  |2 rdacarrier 
520 |a This study covers in depth twelve French and Italian films from Alain Resnais's documentary Night and Fog (1956) through Roberto Benigni's Oscar-winning Life Is Beautiful (1998), and on to briefer treatments of films produced from 1998 to 2006. The focus is equally divided between film analysis and the analysis of public reception. Lichtner considers cinema a “vector of memory” for popular and institutional culture (p. 8), but emphasizes the need to explore “inaccuracies” that contemporary events imparted to the films' production and reception (p. 9). The goal is to show how “the understanding of the Shoah in France and Italy has changed over time,” and how films on the Shoah reflect national identities (p. 11). 
601 |a Mitchell, W. J. T. 
655 7 |a Rezension  |0 (DE-588)4049712-4  |0 (DE-627)106186019  |0 (DE-576)209083166  |2 gnd-content 
773 0 8 |i Enthalten in  |t Holocaust and genocide studies  |d Oxford [u.a.] : Oxford University Press, 1986  |g 23(2009), 3, Seite 503-506  |h Online-Ressource  |w (DE-627)34858721X  |w (DE-600)2079719-9  |w (DE-576)099718405  |x 1476-7937  |7 nnns 
773 1 8 |g volume:23  |g year:2009  |g number:3  |g pages:503-506 
787 0 8 |i Rezension von  |a Lichtner, Giacomo  |t Film and the Shoah in France and Italy  |b 1. publ.  |d London [u.a.] : Vallentine Mitchell, 2008  |h XII, 244 S  |w (DE-627)564800279  |w (DE-576)285180266  |z 0853037868  |z 9780853037866 
856 4 0 |u https://doi.org/10.1093/hgs/dcp054  |x Resolving-System  |z lizenzpflichtig  |3 Volltext 
856 4 0 |u https://academic.oup.com/hgs/article/23/3/503/609754  |x Verlag  |z lizenzpflichtig  |3 Volltext 
935 |a mteo 
936 u w |d 23  |j 2009  |e 3  |h 503-506 
951 |a AR 
ELC |a 1 
ITA |a 1  |t 1 
LOK |0 000 xxxxxcx a22 zn 4500 
LOK |0 001 4179908115 
LOK |0 003 DE-627 
LOK |0 004 1814479473 
LOK |0 005 20220817052631 
LOK |0 008 220817||||||||||||||||ger||||||| 
LOK |0 035   |a (DE-Tue135)IxTheo#2022-07-21#ABF68559B6FE8168DD10D0A3867EB44A1C42A8FB 
LOK |0 040   |a DE-Tue135  |c DE-627  |d DE-Tue135 
LOK |0 092   |o n 
LOK |0 852   |a DE-Tue135 
LOK |0 852 1  |9 00 
LOK |0 935   |a ixzs  |a ixrk  |a zota 
ORI |a SA-MARC-ixtheoa001.raw