Subverting Satire: Edgar Hilsenrath's Novel Der Nazi und der Friseur and Charlie Chaplin's Film The Great Dictator
Charlie Chaplin's film The Great Dictator, a straightforward satire of Hitler and the Nazi movement, serves as a point of departure for Edgar Hilsenrath's Holocaust novel Der Nazi und der Friseur (The Nazi and the Barber). A comparison of their satiric elements and strategies demonstrates...
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
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| Published: |
Oxford University Press
2008
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| In: |
Holocaust and genocide studies
Year: 2008, Volume: 22, Issue: 3, Pages: 497-513 |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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| 520 | |a Charlie Chaplin's film The Great Dictator, a straightforward satire of Hitler and the Nazi movement, serves as a point of departure for Edgar Hilsenrath's Holocaust novel Der Nazi und der Friseur (The Nazi and the Barber). A comparison of their satiric elements and strategies demonstrates that the novel subverts the film's humanitarian appeal by ridiculing both perpetrators and victims of the Nazi atrocities. The novel's pervasive black humor undermines the satirical impulse and instead questions the validity of absolute categories in the representation of evil. For this reason, Hilsenrath's work occupies a special place within the tradition of Holocaust literature. | ||
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