Architecture of sovereignty: stone bodies, colonial gazes, and living gods in South India

"Architecture of Sovereignty focuses on the Pudu Mandapam (in Tamil, 'new hall'), which is a Hindu structure in Madurai, a major pilgrimage town in Tamil Nadu. From various stages in South Indian history, the site has symbolically encoded the power of several regimes as far back as Na...

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Dettagli Bibliografici
Autore principale: Pai, Gita V. (Autore)
Tipo di documento: Stampa Libro
Lingua:Inglese
Servizio "Subito": Ordinare ora.
Verificare la disponibilità: HBZ Gateway
Fernleihe:Fernleihe für die Fachinformationsdienste
Pubblicazione: Cambridge New York Port Melbourne New Delhi Singapore Cambridge University Press [2023]
In:Anno: 2023
(sequenze di) soggetti normati:B Minakshitempel Madurai / India (Süd) / Sanctuary / Architecture / Society / History 1630-2023
Notazioni IxTheo:AD Sociologia delle religioni
AG Vita religiosa
BK Induismo; Giainismo; Sikhismo
KBM Asia
TJ Età moderna
TK Età contemporanea
Altre parole chiave:B Architecture and society (India) (Madurai)
B Pudu Maṇḍapam
B Species Political aspects (India)
B LITERARY CRITICISM / English, Irish, Scottish, Welsh / European
B Architecture Political aspects (India)
B Maturai Aruḷmiku Mīn̲āṭci Cuntarēsvarar Ālayam
B Art and society (India) (Madurai)
Accesso online: Indice
Quarta di copertina
Literaturverzeichnis
Descrizione
Riepilogo:"Architecture of Sovereignty focuses on the Pudu Mandapam (in Tamil, 'new hall'), which is a Hindu structure in Madurai, a major pilgrimage town in Tamil Nadu. From various stages in South Indian history, the site has symbolically encoded the power of several regimes as far back as Nayaka rule in the seventeenth century. The proposed monograph 'reads' these layers of political power as embodied in aesthetic forms in and around the Pudu Mandapam. Relying upon sources including temple manuscripts and legends, physical architecture, sculptures, ritual, letters, travelogues, bronze models, paintings and drawings, photographs, tourism ephemera, and interviews, the narrative employs a multidisciplinary approach to illustrate how religious, economic, domestic, and foreign influences converge in shaping and conceptualizing the Pudu Mandapam as a place, and India as an object and problem of government. In so doing, it shows how the art and architecture of the Pudu Mandapam have been put to different uses towards diverse ends by ruling groups from early modern times to British colonialism to the postcolonial period"--
Descrizione del documento:Includes bibliographical references and index
ISBN:1009150154