The Secularization of Religious Figures: A Study of Mahoraga in the Song Dynasty (960–1279)
Mahoraga dolls, a type of figurine showing a child holding a lotus leaf, are sacrifice utensils that were commonly used in the Qixi Festival to pray for reproduction throughout the Song Dynasty in China. Scholars pay great attention to the Buddhistic origins of Mahoraga, relating it to different fig...
| Authors: | ; |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
MDPI
2022
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| In: |
Religions
Year: 2022, Volume: 13, Issue: 2 |
| Further subjects: | B
Qixi Festival
B reproduction worshipping B Mahoraga B population crisis B foreign religion |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
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| 520 | |a Mahoraga dolls, a type of figurine showing a child holding a lotus leaf, are sacrifice utensils that were commonly used in the Qixi Festival to pray for reproduction throughout the Song Dynasty in China. Scholars pay great attention to the Buddhistic origins of Mahoraga, relating it to different figures within Buddhism and discussing its religious artistic values. This paper focuses on the transformation of this cultural appropriation in Chinese society by discussing the localization of Mahoraga as well as the reasons behind the use of Mahoraga in worship in Qixi in particular. We believe that the population crisis and national population policies in the Song Dynasty stimulated Chinese people’s longing for procreation and this desire was responded to by the secularization and popularization of Buddhism in China, together with the increased prosperity of citizen culture, which ultimately promoted the popularity of Mahoraga in Song society. | ||
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