Niccolò Liburnio on the Boundaries of Portraiture in the Early Cinquecento
Niccolò Liburnio's "Selvette", published in Venice in 1513, is an undiscussed source for the role of art as ambiguous evidence in the early cinquecento. One of the stories in Liburnio's book is a fictional adultery trial, in which the main evidence is a painting by Giovanni Belli...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
2006
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| In: |
The sixteenth century journal
Year: 2006, Volume: 37, Issue: 2, Pages: 323-350 |
| Online Access: |
Volltext (JSTOR) Volltext (lizenzpflichtig) |
| Parallel Edition: | Non-electronic
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