Michelangelo's Signature
Michelangelo signed only one work with his name, the "Pietà" in Saint Peter's Basilica. As his first public commission in Rome, the sculpture gave the young artist an opportunity to establish his reputation and public image. The band across the Virgin's chest serves no other func...
| Главный автор: | |
|---|---|
| Формат: | Электронный ресурс Статья |
| Язык: | Английский |
| Проверить наличие: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Опубликовано: |
2004
|
| В: |
The sixteenth century journal
Год: 2004, Том: 35, Выпуск: 2, Страницы: 447-473 |
| Online-ссылка: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
MARC
| LEADER | 00000naa a22000002c 4500 | ||
|---|---|---|---|
| 001 | 1802383646 | ||
| 003 | DE-627 | ||
| 005 | 20220518053346.0 | ||
| 007 | cr uuu---uuuuu | ||
| 008 | 220518s2004 xx |||||o 00| ||eng c | ||
| 024 | 7 | |a 10.2307/20476944 |2 doi | |
| 035 | |a (DE-627)1802383646 | ||
| 035 | |a (DE-599)KXP1802383646 | ||
| 040 | |a DE-627 |b ger |c DE-627 |e rda | ||
| 041 | |a eng | ||
| 084 | |a 1 |2 ssgn | ||
| 100 | 1 | |a Wang, Aileen June |e VerfasserIn |4 aut | |
| 245 | 1 | 0 | |a Michelangelo's Signature |
| 264 | 1 | |c 2004 | |
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a Computermedien |b c |2 rdamedia | ||
| 338 | |a Online-Ressource |b cr |2 rdacarrier | ||
| 520 | |a Michelangelo signed only one work with his name, the "Pietà" in Saint Peter's Basilica. As his first public commission in Rome, the sculpture gave the young artist an opportunity to establish his reputation and public image. The band across the Virgin's chest serves no other function than to hold Michelangelo's signature, which was not added as an afterthought as Vasari claimed in his 1568 biography of the artist. Although Michelangelo had carefully planned his inscription, its style of execution suggests letters that are spontaneously written, not carved. This effect calls attention to the artist's manual presence. Michelangelo also revived the ancient Greek use of the imperfect verb tense in his signature; Pliny the Elder had recalled that Apelles and Polyclitus used it. The separation of Michelangelo's name into two words, Michael Angelus, emphasizes his association with his namesake, Michael the Archangel, and introduces the image of the artist as a divinely inspired creator, who conveys God's messages and ideas as angels do. | ||
| 773 | 0 | 8 | |i Enthalten in |t The sixteenth century journal |d Kirksville, Mo. : Sixteenth Century Journal Publishers, Inc., 1972 |g 35(2004), 2, Seite 447-473 |h Online-Ressource |w (DE-627)331747154 |w (DE-600)2052629-5 |w (DE-576)103189548 |x 2326-0726 |7 nnas |
| 773 | 1 | 8 | |g volume:35 |g year:2004 |g number:2 |g pages:447-473 |
| 856 | 4 | 0 | |u https://doi.org/10.2307/20476944 |x Resolving-System |z lizenzpflichtig |3 Volltext |
| 856 | 4 | 0 | |u https://www.jstor.org/stable/20476944 |x Verlag |z lizenzpflichtig |3 Volltext |
| 935 | |a mteo | ||
| 951 | |a AR | ||
| ELC | |a 1 | ||
| ITA | |a 1 |t 1 | ||
| LOK | |0 000 xxxxxcx a22 zn 4500 | ||
| LOK | |0 001 4135752497 | ||
| LOK | |0 003 DE-627 | ||
| LOK | |0 004 1802383646 | ||
| LOK | |0 005 20220518053346 | ||
| LOK | |0 008 220518||||||||||||||||ger||||||| | ||
| LOK | |0 035 |a (DE-Tue135)IxTheo#2022-04-06#1DDE5EE0D1D899B9D00767E13AF84A1765B228E2 | ||
| LOK | |0 040 |a DE-Tue135 |c DE-627 |d DE-Tue135 | ||
| LOK | |0 092 |o n | ||
| LOK | |0 852 |a DE-Tue135 | ||
| LOK | |0 852 1 |9 00 | ||
| LOK | |0 935 |a ixzs |a ixrk |a zota | ||
| ORI | |a SA-MARC-ixtheoa001.raw | ||
