Homines non nascuntur, sed figuntur: Benvenuto Cellini's Vita and Self-Presentation of the Renaissance Artist
Benvenuto Cellini's Vita has been interpreted as the isolated self-portrait of a fiercely independent and somewhat unstable Renaissance artist since its publication in the eighteenth century. Cellini's deceptively conversational and casual narrative voice has contributed to this impression...
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
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Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Sixteenth Century Journal Publishers, Inc.
1997
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In: |
The sixteenth century journal
Year: 1997, Volume: 28, Issue: 2, Pages: 447-465 |
Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |