The Use of Color by Rosso Fiorentino
This article studies one key aspect of the art of the sixteenth-century Tuscan painter Rosso Fiorentino, his use of color. It is argued that, in his evolution as a colorist, Rosso develops complex references to the manners of modeling of High Renaissance artists which correspond to his evident manip...
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Sixteenth Century Journal Publishers, Inc.
1988
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| In: |
The sixteenth century journal
Year: 1988, Volume: 19, Issue: 3, Pages: 355-378 |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Parallel Edition: | Non-electronic
Non-electronic |
| Summary: | This article studies one key aspect of the art of the sixteenth-century Tuscan painter Rosso Fiorentino, his use of color. It is argued that, in his evolution as a colorist, Rosso develops complex references to the manners of modeling of High Renaissance artists which correspond to his evident manipulation of other artistic conventions. Rossos combination of what had been separate modes of using color is also characteristic of other painters of his generation, and may be seen as an important component of the style we call Mannerist. |
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| ISSN: | 2326-0726 |
| Contains: | Enthalten in: The sixteenth century journal
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| Persistent identifiers: | DOI: 10.2307/2540468 |