“Going through the Seven Circles of Hell–Joyfully, à la Motl”: Sholem Aleichem’s Missing Film Script about Motl the Cantor’s Son
From the summer of 1913 to the spring of 1914 Sholem Aleichem wrote several film scripts, basically in Russian, that were never published and some of them were lost. The article deals with a short, English-language cinema synopsis discovered among the writer’s papers in the archives of the Tel Aviv...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Penn Press
2015
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In: |
The Jewish quarterly review
Year: 2015, Volume: 105, Issue: 2, Pages: 155-173 |
Further subjects: | B
Early Jewish Cinema
B Modern Yiddish Literature B Early French Cinema B Sholem Aleichem B Early American Cinema |
Online Access: |
Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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520 | |a From the summer of 1913 to the spring of 1914 Sholem Aleichem wrote several film scripts, basically in Russian, that were never published and some of them were lost. The article deals with a short, English-language cinema synopsis discovered among the writer’s papers in the archives of the Tel Aviv Sholem Aleichem House, Little Motl Goes to America, which Sholem Aleichem prepared based on one of the missing screenplays, The Adventures of Lucky Motl. The synopsis was translated into English in 1915 by Ben-Zion Goldberg (who was to become a prominent American Jewish journalist and Sholem Aleichem’s son-in-law) at the request of a certain motion picture studio. This contact with the American movie-making industry was broken off and developed no further, but the writer was very active in promoting Motl in the American cinema until the last days of his life. The synopsis provides scholars with a missing link in the genesis of Sholem Aleichem’s well-known work, The Adventures of Motl, the Cantor’s Son. | ||
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